The actual writing and the nature observations were as usual absolutely gorgeous, in fact I think I would have enjoyed Nest more if it has been presented as a piece of nature writing or memoir rather than a novel. There is hardly any plot, and what there is, moves slowly and quietly. There is a missing child, harking back to a missing friend of Jen's own childhood; an absent father, an unsatisfactory ex. But these are elements that hover around inside Jen's head as memories and speculations, rather than playing out on the canvas of the novel. Gradually, very gradually, tense loner Jen starts to unfreeze, through her close relationship with the trees and birds on her land, tending to her house and garden, and her tentative friendships with the townsfolk and neighbours, and her drawing pupil Henry. The novel ends in quiet hope, but anyone looking for high stakes drama will not find it here.
I think I would have loved this book more if I'd been in a different frame of mind! I have another Inga Simpson novel on my pile, but I might wait a while before I open it; I want to meet it in the right spirit.


'Nature writing' is one of my favourite genres at present. There's often anger about the loss and destruction we humans are causing, but also hope and joy and beauty. Most of what I've read so far is British. I've been meaning to hunt for some Australian writing...perhaps Understory might be a good place to start?
ReplyDeleteUnderstory is great but it has a lot of emotional weight too, so be prepared. Have you tried Kim Mahood? Not exactly nature writing but very aware of country and history.
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