Sociopath

I heard Patric Gagne speaking on the radio one night and was intrigued by the sound of her memoir, Sociopath -- there was a very long wait on the library reserve list before I finally got my hands on it.

Honestly, Sociopath was a strange and unsettling read. At times it comes across almost like a novel, with reconstructed scenes and dialogues. Gagne makes the excellent point that there is a lot of grey around the diagnosis and even the definition of sociopathy. Is it the same as psychopathy, just further down the spectrum? The same test is used for assessment, but there is apparently a vast gulf between psychopathy and 'normal,' which is presumably where sociopathy sits. Gagne likes to define sociopathy as a kind of learning disability, but for emotions -- empathy, jealousy, compassion can be learned, but with difficulty (anger and happiness come more easily, at least for Gagne). 

Gane talks al lot about 'apathy,' which I found quite confusing -- sometimes it's good, sometimes unbearable. I must admit I became a bit lost at times as Gagne described her strategies for relieving the weight of apathy, though her descriptions of the rising tension, which could only be relieved by 'bad' actions (stealing a car, stabbing a classmate with a pencil), reminded me a lot of Gabor Matè's account of the unbearable tension of distress experienced by the drug users he works with. Whatever the origin of these impulses, it seems clear that the brain uses a similar mechanism to try to relieve its pain.

By the end of Sociopath, I can't claim that I understand sociopathy much better than I did, but I do have more sympathy for this maligned minority.
 

Ramona and Her Father

I was very happy to add Ramona and Her Father to my Beverly Cleary collection. I just love the Ramona stories, they have never lost their charm, and they are so much fun to read aloud. (My younger daughter has just reminded me that she loved Ramona and Beezus because they were sisters like her and her big sister, and that Ramona, Harry Potter and 101 Dalmatians were the only books they really shared.)

Cleary's stories are set firmly in the real world, and she doesn't shy away from real life problems. In Ramona and Her Father, Ramona's dad has lost his job and he's moping round the house, getting depressed because his job hunt is unsuccessful, and being quite grumpy. Ramona's mum has to start working full time to make up for the loss in income, and money is tight. None of this is Ramona's problem to solve, but it's always there in the background. I loved the sisters' campaign to stop their father smoking, and Ramona's humiliatingly half-hearted sheep costume for the end of year Nativity play (because Mum doesn't have time to sew a full suit -- hm...)

One thing that reliably makes Ramona feel better is making a ruckus, and there is a wonderful chapter where she and her friend Howie clomp around on tin can stilts, singing at the tops of their lungs. Unbearable for everyone else, but fantastic for Ramona. 

I am fully confident that if/when I have grandchildren, they will love Ramona as much as we all do.

Amy Amaryllis

The silver lining to being felled by this terrible lurgy that's going around is that it's opened up hours of guilt-free reading time, and I have been racing through my Too Be Read pile. I spotted Amy Amaryllis on Brotherhood Books and couldn't resist its cute premise. Amy, an ordinary suburban Australian girl, begins to write a story in her green book, a story about Amaryllis from magical Ankoor, who lives in a castle amid the crags where reinbeast roam... Meanwhile, Amaryllis, in her own world, begins to write the story of Amy, a girl with freedom to explore and few duties to perform. Inevitably, the girls swap places and have to deal with each other's problems in very different realities, as well as figure out how to return home.

Apparently Amy Amaryllis is the first in a 'loosely linked' series, which from the titles, seems to be set in Ankoor. I think I might have come across Candle Iron in the past, but haven't read it; I might have to remedy that. I did enjoy Amy Amaryllis a lot, but it's weird how a book written in the 1990s has dated more obviously in some ways than some written in earlier decades. They always warn you that nothing dates a book more quickly than slang, and Amy and her brother's exclamations of 'Grossisimo!' and 'Blastissimo!' (not sure that was ever genuine slang, actually) did grate slightly after a while. But despite that quibble, this was a very enjoyable world-swap story and one I would have adored as a kid. It's like Charlotte Sometimes, but with more action and humour, rather than Charlotte's eerie solemnity.

A Fence Around the Cuckoo

Ruth Park's two volume autobiography, A Fence Around the Cuckoo and Fishing in the Styx, has been on my radar for a while -- as with any very popular books, they keep popping up on Brotherhood Books. Is Ruth Park an under-rated author? Unusually, she was extremely successful in three strands of fiction. Her children's books about The Muddleheaded Wombat were huge favourites of my kids (though I never read them myself as a child); her young adult book, Playing Beatie Bow, was possibly the seminal Australian time slip story; and I studied at least one of her adult novels, Poor Man's Orange, in Year 9 at high school (I wonder why they didn't choose the first book about the Darcy family, A Harp in the South? The prequel, Missus, wasn't published until after I'd left school.)

Anyway, to those achievements we can add autobiography, because A Fence Around the Cuckoo is a tremendous piece of writing. It covers Park's childhood in the New Zealand bush, her family's struggles during the Great Depression, and her first jobs in journalism before she emigrated to Australia in 1942. From Park's account, the Depression hit New Zealand slightly less hard than it hit Australia, but it hit hard all the same. It was sobering to read about the same era as Weevils in the Flour from the perspective of one family. The Depression must have left psychological wounds just as deep as the two wars, at least on the poor, and yet it's rarely discussed -- I guess it was less dramatic.

A Fence Around the Cuckoo ends with Park's arrival in Australia, greeted by her pen friend D'arcy Niland, who was to become her husband. I gather Fishing in the Styx picks up where this volume leaves off, and I cannot wait to read it.

The Explorer

I found Katherine Rundell's 2017 The Explorer in a street library -- prize winning and acclaimed, it's a classic, timeless adventure story of four children whose plane crashes in the middle of the Amazon. The first part of the book is like Alone, as the kids find ways to survive in the jungle, but for me the story took off about halfway through, when they encounter another person who arrived in the wilderness long before they did.

The Explorer is packed with action, but it's also thoughtful about what 'exploring' means -- not just the thrill of discovery, but also dispossession, exploitation and destruction, and the battle between those competing interests. It's also a story about friendship and family. I liked the way that Fred's motivation to explore was nuanced: he is genuinely excited about uncovering 'new' places, but he's also desperate for his father's approval and love, and he would kind of like to be famous, too...

Coincidentally, this is the second children's book in short order that I've read set in the Amazon. When the children in The Explorer finally head for home, they are instructed to navigate using the Opera House in Manaus which was such a huge part of the story in A Company of Swans (which I had to google to check if it was real, it sounded so unlikely). The Explorer is hugely enjoyable and I'm not surprised it was such a hit with young readers.
 

Everyone This Christmas Has a Secret

Not a full length novel this time; Benjamin Stevenson himself calls this a Christmas special, a nice slim stocking filler which still hits all those fun, knowing Ernest Cunningham marks. This time Ern is called to assist his ex-wife Erin, who has woken up covered in blood and with the murdered corpse of her partner downstairs. She doesn't think she did it, Ern doesn't think she did it, but can he prove it? 

Stevenson structures Everyone This Christmas Has a Secret like an advent calendar, with each 'door' comprising one short chapter, each containing a clue to the solution -- he even helpfully tells us what the clues are, though not exactly what their significance might be. I raced through Christmas and was proud of myself for figuring out one element of the mystery before I was told (I'm not very good at solving mysteries). It was a nice change to read a Christmas story set in an Australian (ie sweltering) Christmas; this time the setting is the Blue Mountains.

Weirdly I finished Christmas exactly a year to the day after finishing Stevenson's last novel; I hope he's working on something new because these books are so much fun.
 

The Morning Gift

Wow, I have certainly done a massive binge on Eva Ibbotson -- I reserved all the available titles from the local library and I've been reading them as they come in. The Morning Gift was the last one, though I have also bought a couple of books and added them to my pile. I might take a rest for a while. The good thing about Eva Ibbotson is that you know exactly what you're going to get. Our sweet, funny heroine this time is Ruth, a refugee from Vienna at the beginning of the Second World War. Our reserved, masterful older man is Quin Somerville, professor and paleontologist. This time, the plot starter is that Quin secretly marries Ruth in order to extract her safely from Austria. There are, as usual, complications galore, mostly in the shape of classical pianist Heini, to whom Ruth is officially devoted, and ruthless student (ha ha) Verena Plackett, who has set her marital sights on Quin.

One thing I love about Ibbotson novels, apart from their comforting reliability, is the large cast of eccentric characters that she manages to so deftly create and move around the chess board of the story. Though our hero and heroine tend to be very similar characters from novel to novel, our minor characters are delightfully varied and vividly sketched in such an endearing way that we can't help becoming invested in their fates. In The Morning Gift, we meet passionate gardener Uncle Mishak, horrible snob Lady Plackett, free spirit Janet, floundering biology student Pilly, and many others.

I seem to be declaring each Ibbotson my favourite as I make my way through them, but I really think  The Morning Gift (named for the symbolic gift that defines a morganatic marriage, freeing the husband from any future marital obligations -- I always wondered where that came from) might be my actual favourite!

Naarm/Melbourne Neighbourhoods

Naarm/Melbourne Neighbourhoods was a Mother's Day present from my elder child: probably not something I would have bought for myself, but it's a fun and useful book. The cover is very misleading, because the suburbs labelled there are definitely not in the correct geographical positions! But inside it's divided into City, East, South, North etc, with bite sized paragraphs about historical anecdotes, interesting buildings, urban myths, significant persons, landmarks and festivals. I've lived in Naarm almost all my life but I still learned some weird and wonderful facts, like Prahran probably being a corruption of Birrarung (the Yarra's proper name), and that Bertie Beetles were first invented to use up broken bits of Violet Crumble.

Each section includes a suggested walk around the chosen area, which look like a lot of fun, and something I'd really like to do one day. This book would be an excellent present (or loan) to a visitor to the city, but it's also got lots to offer even to long-time residents.
 

The Leopard

I don't know what happened to my original copy of The Leopard, which I studied in HSC a looong time ago, but I replaced it some time ago with the one pictured above. I was prompted to re-read Guiseppe di Lampedusa's 1958 classic novel partly by Susan Green, and partly by watching the sumptuous Netflix series based on the book.

Watching the series, I marvelled that I'd forgotten so much of the story -- well, it's not that surprising, because the script writer fleshed out some episodes with invented scenes. But in fact there was quite a bit that I'd genuinely forgotten. I remember how much I adored The Leopard, but what I mostly retained was the atmosphere of languid, lush sensuality, mingled violence and torpor that gave me my first impression of Sicily. My most vivid recollection, skimmed over in the adaptation, was of young lovers Tancredi and Angelica exploring the long-neglected corners of the family's immense villa, trembling on the dangerous edge of desire but never quite giving in -- it was the sexiest thing I'd ever read!

Now I'm old and grey, it's Prince Fabrizio's musings on aging and regret that speak to me most powerfully. There really isn't much plot in The Leopard, but it's still amazingly atmospheric, and the Netflix version succeeded in bringing that atmosphere to life; also, Kim Rossi Stuart is superb as the Prince. At seventeen, I had a huge crush on Tancredi, but now I find him merely irritating. The Leopard was well worth a re-visit.
 

In the Realm of Hungry Ghosts

Going back over some familiar ground here -- this is the third of Gabor Maté's books I've read, and I've come to greatly respect his insights. In the Realm of Hungry Ghosts deals specifically with addiction. Maté has worked for many years among drug addicts in one of Canada's most deprived urban areas; he also (somewhat controversially) counts himself as an addict, though his personal addiction is not to a legal or illegal drug, but rather to overwork and to the compulsive purchase of classical music CDs.

There is some overlap between this book and Maté's previous work on ADHD -- many addicts are trying to soothe their restless minds with the help of illicit substances (as well as traditional drugs like alcohol and nicotine) -- but his central point is that all addicts are fundamentally seeking to calm minds disordered by trauma. Sometimes this trauma might be inter-generational oppression, or childhood sexual abuse, but it might be a deep inner disconnection caused by loving but distracted parenting -- anything that prevented the parent from closely bonding with their infant. Maté admits that he himself has often been a less than perfect parent, and that though his own parents were loving, he was born into the profound misery and dislocation of war, and was fostered out as a baby for his own safety.

The most moving sections of this long and scholarly book are the personal stories of the addicts with whom Maté has worked. Often difficult to deal with, unreliable, violent and bitter, Maté brings us close to their pain and their longing for connection. Maté's work makes a mockery of the simplistic solutions often proposed for dealing with drug addiction, or indeed for troubled youth or dispossessed minorities, or any number of 'problem' populations. Maté's compassion and reflection should be essential reading.
 

An Expert in Murder

Regular readers will know that I'm cautious about novels using real people as characters -- it can be quite poorly done. But I was intrigued by the idea of using a mystery writer as a protagonist, so I thought I'd at least check out the first volume of Nicola Upson's Josephine Tey series, and I'm relieved to say that I enjoyed it very much indeed.

Set in 1934, An Expert in Murder centres on Tey's hugely successful play, Richard of Bordeaux, which catapulted John Gielgud to stardom. The novel features a young super-fan of the play (some patrons returned thirty or forty times), and many participants in the theatrical world, some of whom are based on real people (like stage designers, the 'Motley' sisters), and theatre manager Bernard Aubrey (based on Bronson Albery). I had no idea that Josephine Tey (real name Elizabeth Mackintosh, though she wrote her plays under the name Gordon Daviot) had even written for the stage, let alone had a massive hit -- plays don't seem to have the longevity of even half-forgotten novels.

Upson said that after discovering Tey's novels for herself and deciding they were criminally overlooked (not by all of us!), she became fascinated with the theatre and literature of her times. It was a strange experience to find myself half-recognising people and places from Dodie Smith's theatrical career at much the same time, like the New and Wyndham theatres, and the leading lady based on Gwen Ffrangcon-Davies, who also starred in some of Smith's plays. I wasn't expecting to be plunged back into this semi-familiar world, but it was a pleasant surprise, and I suspect I'll be back for more of Upson's work.

The Invocations

I'm not a fan of horror. I can't watch horror movies and I steer clear of horror in my reading, too. But I make an exception for Krystal Sutherland. To my own astonishment, I really enjoyed her House of Hollow a couple of years ago, and now comes The Invocations, which made the CBCA Notables list, but not the shortlist. In my view, it belongs on the shortlist, just because it's so well written. It might be filled with demons and gore (so much gore! Such a high body count! Such disgusting decomposing undead gloop!) but Sutherland keeps the plot galloping along so fast that there's no time to dwell on the revolting detail.

Meanwhile, there is lots of other stuff to enjoy. A strong friendship between three very different young women, an unflinching stare at male violence against women, a celebration of female power ('of course I do spells for trans women,' says Emer the witch at one point, 'magic doesn't care about bodies, it cares about souls.' Beautifully put...), a sprinkle of dark humour and a cracking plot all add up to a hugely enjoyable read, despite the horror elements. And if you do like horror, you will be in heaven.
 

Unsettled

Kate Grenville's non-fiction meditation, Unsettled, is one of the best books I've read this year. Grenville is well-known for her novels based on her family's history: The Secret River, Sarah Thornhill, Restless Dolly Maunder. She's also written Searching for the Secret River, which is an account of the research process she went through while writing the first of those novels. Unsettled is a different kind of journey, though she often refers to that research and ancestral history. But this time, she's looking at the bigger picture -- not just the individuals of her family and the choices they made, but how those choices fitted into a broader colonial narrative.

Grenville takes a simple but effective structure, retracing various ancestors' movements, from that first settlement on the Hawkesbury, further and further out from Sydney, finishing with the farm where her own mother was brought up. Along the way, she reflects on the way 'settlement,' or more bluntly, stealing land from First Nations people, must have felt for both the colonists and the dispossessed. She brilliantly examines the way our language serves to obscure the reality of what happened -- how we speak of settlers 'taking up land', when we really mean 'taking land.' Squatters 'got' land, women 'were never left without a gun.' What horrors are those bland words hiding?

There are plenty of challenging ideas here, but Grenville leads us through the landscape and her own thoughts gently but firmly, never allowing us to turn away completely, while acknowledging the strong urge to hide from the truth that has gripped our nation from its beginnings. She ends on a hopeful note, visiting the memorial to the Myall Creek massacre, the only occasion when white men were hanged for the murder of Aboriginal people -- a memorial that was constructed after local inhabitants, Black and white, sat down together to commemorate their shared, painful history.

Unsettled would be a perfect book to give to someone just learning about Australian history, or someone who grew up when we weren't taught the truth. It is confronting, but it's not sanctimonious or preachy, and it's engagingly easy to read; we travel beside Grenville as she works through her own feelings and thoughts. Yes, it's written from a white person's point of view, but as a first hand struggle with accepting and sitting with our shameful past, it's intimate, valuable and powerful.
 

American Wife

I'm such a dill, I borrowed Curtis Sittenfeld's most acclaimed novel, American Wife, from the Ath, completely forgetting that I'd ordered a copy from Brotherhood Books. So I read half of it in the library's copy and half in the one that eventually arrived (it took ages, it went via Brisbane for some reason, no wonder I lost track). But I'm very happy to own a copy.

There is definitely a recurring theme in Sittenfeld's work, where a quiet, bookish woman is taken up by a charismatic, out-going man. Sometimes this leads to a fairytale romance, as in Romantic Comedy; sometimes it's a disaster, as in Rodham or Prep. In American Wife, the outcome is more ambiguous and for that reason, all the more interesting. Modelled on the life of Laura Bush, wife of President George, American Wife follows Alice Blackwell from rural high school to the White House. After a tragic event in adolescence, Alice marries rich, happy-go-lucky Charlie, who makes her life more fun and carries her into a milieu of immense wealth and privilege. But Alice retains her watchful introspection. She sees both Charlie's charm and his shallowness clearly, but perhaps less clearly than she thinks she does.

American Wife is over 600 pages long and I was riveted all the way through. How much do I love Curtis Sittenfeld? At some point I will have read everything that she's written and that will be a very sad day in my life. There's something about the granular detail of her writing that I find completely absorbing. It might not be for everyone but I love it.

The Dragonfly Pool

One of Eva Ibbotson's children's books -- yes, I am on an Ibbotson splurge -- The Dragonfly Pool came from the local library and has obviously been well-read, which I'm happy about. It's not unlike her adult books in flavour, but the two main protagonists are twelve years old: a thoughtful girl, Tally, and an oppressed prince, Karil. The libertarian school of A Song for Summer reappears, this time in the Devon countryside, but again we are in the years just before the outbreak of the Second World War, and again Hitler and his henchmen are causing havoc in the lives of our characters.

The Dragonfly Pool is definitely for younger readers, because there is no sex; however, there is an assassination and real danger even for the most vulnerable of child characters. And there is real cruelty, too, albeit meted out by cartoonishly wicked adults.

There is a very European sensibility to Ibbotson's novels, even when they are set in South America or England. There is often some kind of pivotal performance, whether it be opera, a religious procession, a ballet or a play. There will be idyllic countryside. There will be an enigmatic, accomplished man. There will be artists and teachers and aristocrats. There will be misunderstandings and selfless sacrifice, but things will work out all right in the end. This is Ibbotson's universe, and it's one I'm happy to spend time in.

Weevils in the Flour

The Great Depression was almost a hundred years ago. My mother was born during it, and I remember my grandmother saying that their family managed all right because her parents had helped them buy their house. My grandfather worked as a clerk at Dunlop during the war, and I assume he might have had the same job while the depression was on. So my family was pretty lucky, though I'm sure that living in the lower-middle class and working suburbs of Preston and Thornbury, they saw plenty of poverty and suffering.

Wendy Lowenstein's oral history of the 1930s, Weevils in the Flour, is a confronting read. It's not a short book, and I admit I skimmed through some of the chapters, especially the ones about long-ago politicians and strike actions, but I was riveted by the stories of how families coped (or didn't) -- evicted onto the streets, making clothes out of flour sacks, the men waiting for hours on the off chance of some casual labour, toiling on road works for sustenance relief (and expected to perform hard physical labour despite being badly malnourished), children not attending school because they didn't have shoes, people living on wild-caught rabbits and home-grown vegetables. 

There were stirring stories of how the left wing organisations, particularly the unions, fought for fairness: when a family was evicted for not paying the rent, a group might rush to the house and start to tear it apart -- after a few such occasions, the landlords stopped evicting their tenants! There were unions for unemployed workers who agitated for greater support. The most frightening aspect of the times is that no one seemed to really understand what was happening or how to deal with it -- politicians just kept bleating that 'there was plenty of work.' It's hard to imagine how cruel this must have sounded to the people who knew damn well that it wasn't true. And then the war came along and fixed it all...

Lowenstein admits there are omissions in these accounts -- not enough women, not enough from the self-employed. I would add that there is not a single First Nations voice in this book, and not many non-Anglo stories either.

A knowledge of this history helps to put our current economic woes into perspective. Our current standard of living is so insanely high -- everyone seems to expect multiple yearly overseas holidays, regularly renovated bathrooms, new cars every couple of years, constant new clothes and furniture as a matter of right. And this high consumption lifestyle is burning our planet out from under us. It's sobering but weirdly reassuring to read about a time when expectations were so low and that people (mostly) managed to survive.
 

I Heard the Owl Call My Name

I know I read Margaret Craven's 1967 novel, I Heard the Owl Call My Name, for school, though I can't remember what year it was. My current copy was a present from a new friend (at the time) in 1985 and he was very disappointed, though also vindicated, to learn that I already had it and had loved it. But I don't think I've re-read it for forty years.

This book was my first introduction to Native American culture (the people of the remote village are referred to as 'Indians' throughout) and it made a deep impression -- perhaps deeper than I realised at the time. I think I Heard The Owl Call My Name paved the way for my reading of The Songlines a few years later, which made an even more indelible impression (I wonder if I should re-read Bruce Chatwin's book and see if it stands up -- or maybe not!). This slim novel recounts in clear, calm prose, the couple of years that a young vicar spends in this small community, giving of his own labour and wordly knowledge, and receiving in turn their wisdom and love.

There is a clear parallel between the experience of Mark, the vicar, who is dying, and the culture of the tribe, which is also slowly being lost. In both cases, the process is presented as sad but inevitable, to be accepted with grace, not resisted, as part of the natural cycle of the world. I don't think this novel would, could or should be written in the same way today. But I Heard the Owl Call My Name remains a beautiful and moving story of connection between two very different worlds.
 

Into the Mouth of the Wolf

 

Erin Gough's third YA adult made it from the CBCA Notables list onto the shortlist, and I wouldn't be too surprised if it took out the big prize in the end. Gough is an assured writer with a capable grasp of her material. Into the Mouth of the Wolf begins at full speed and keeps up a brisk pace throughout. However, this is not just a spec-fic thriller (though it is that), it's also a queer romance and a story about friends and friendship, loyalty and betrayal. The device of the parallel worlds works neatly to ramp up the tension as well as to raise the stakes.

Iris and her mother are on the run; Lena, living on the other side of the portal, might be able to provide sanctuary, but who can she trust? The world of Glassy Bay seems most closely related to our own, beset by fires and floods, while Iris's world of Vardo is rocked by terrible earthquakes which are connected to a new and dangerous technology. Most readers will be able to draw their own analogies.

I really enjoyed Into the Mouth of the Wolf, with its exciting adventure plot, quieter heartfelt scenes and moments of humour. The only part I found hard to believe was that Iris's mother would act as she did, but that's a minor quibble in  a very strong novel.

Woman of Substances

I read Jenny Valentish's Woman of Substances as research for my current work in progress (very much in the early stages). Part memoir, part non-fiction study of women and addiction, this was a fascinating and sometimes terrifying excursion into a part of life I know very little about. As someone who was too wussy to dip more than a toetip into the world of illicit substances, it made me feel queasy to read about Valentish's many brushes with physical danger, social humiliation and bitter regret. However, Valentish is deeply compassionate toward herself and others who turn to drugs, alcohol or other addictions for escape, comefort or self-medication, and it's clear that some kind of trauma is usually at the bottom of these choices.

Valentish examines the particular social and biological difficulties faced by women and the specific hurdles that can make it especially hard for them to access treatment. Hardly any rehab facilities accept children; there is confusion about whether it's preferable to treat pyschological trauma or substance abuse first, when the two are frequently intertwined; women are more vulnerable to food disorders because of the social pressure to be judged on looks.

Valentish's candid use of her own experience makes Woman of Substances a vivid and wrenching examination of vulnerability and strength, and while it's often raw and painful, it does offer realistic hope and encouragement for others in the same boat.

A Song For Summer

Another lovely Eva Ibbotson novel, this one from 1997 (she kept writing almost up until her death in 2010). A Song For Summer is set at an eccentric artsy school in Austria, just before the outbreak of the Second World War. Our heroine is Ellen, who despite being the child of a famous suffragette, has turned her talents to the housewifely arts and is working as a cook. Our hero is Marek, who despite being a world-renowned composer, is working as a groundsman and handyman in the same establishment (he's secretly rescuing Jews from the Nazis). This time there are three ill-matched couples who need to be disentangled and reassorted, and the obstacles in their way are even more dramatic than usual, including an actual marriage, a terrible fire, and of course the war.

By now I know exactly what I'm going to get from an Eva Ibbotson novel, and if some of her notions are a little old-fashioned, she's also refreshingly candid about sex, and values kindness above all other virtues. There will probably be a big old neglected house somewhere in the mix, a lake or a river and some animals, a precocious child, and music, as well as our star-crossed lovers. My only quibble was an anachronistic mention of Bletchley Park at a time when its very existence was top secret, but I can overlook that. I'm so glad to have discovered Eva Ibbotson.
 

Always Was, Always Will Be

I was lucky enough to see Thomas Mayo speak at the recent Sorrento Writers Festival. In person, he is a calm, strong, gentle presence, the very embodiment of healthy masculinity. Always Was, Always Will Be was written in the aftermath of the unsuccessful Voice referendum which had such a disappointing result and seems to have virtually shut down any further discussion of First Nations issues since. It wasn't until some far-right dickheads disrupted the Anzac Day Welcome to Country speech that any politicians even mentioned Aboriginal issues in the current election campaign.

But Always Was, Always Will Be begins and ends with a message of hope and optimism. It's subtitled 'the campaign for justice and recognition continues,' and it contains numerous practical ideas for allies to take the fight forward. As Mayo points out, every other step toward equality and justice has at first been met with opposition and hostility, and yet slowly the cause has crept in the right direction.

The book is less than two hundred pages, but it neatly summarises the history of First Nations peoples since colonisation, a history of oppression and pain that even in 2025, many Australians would prefer to deny or forget, or are simply ignorant about. Without this basic historical understanding, there will never be justice. Always Was, Always Will Be is engaging and simply written, without bitterness or blame, and I hope it will provide a perfect starting place for anyone who is curious about First Nations issues.

She Said

I didn't realise, when I borrowed She Said, by Jodi Kantor and Megan Twohey, that my reading it would coincide with Harvey Weinstein's rape retrial (though he will remain in jail on other charges, no matter what the result). One of the reasons for the retrial is the contention that the judge improperly allowed what's called 'propensity evidence,' in other words, evidence from other women, not plaintiffs in the case, to give evidence that Weinstein had acted in a similar way with them -- to show that he had a pattern of predatory behaviour. In a way, this cuts to the very heart of the Me Too movement, which relies on women sharing their testimony to provide a weight of corroboration that eventually becomes irrefutable.

Kantor and Twohey, the New York Times journalists who broke the Weinstein story, had to dig behind numerous non-disclosure agreements, which acted to silence many individual women and hide the truth of Weinstein's history of sexual assaults. It wasn't until a couple of brave women came forward to bear witness, facing down the threat of legal action, on-line vilification, and personal intimidation, that Weinstein was toppled.

She Said also covers the story of Christine Blasey Ford, who revealed that Supreme Court hopeful Brett Kavanaugh had sexually assaulted her in high school, and subsequently suffered the full weight of the above consequences. Kantor and Twohey end the book on a note of hope, with a gathering of the women involved in the Weinstein case comparing their experiences and bonding together; but I can't help feeling that the backlash is in full swing. In Australia, the preferred silencing tactic is defamation laws, and anyone who has followed the case of Bruce Lehman and Brittany Higgins must feel disheartened. The full weight of patriarchy still comes crashing down on any woman who dares to challenge toxic male behaviour, and with serial sex offender Trump in the White House, things are not looking any brighter.
 

The Cryptic Clue

I really enjoyed Amanda Hampson's first Tea Ladies mystery, so I was thrilled to spot this second novel, The Cryptic Clue, in a local street library (I told you I'd made some good finds lately!) Just as with Richard Osman's murder mysteries, the real joy is the cast of characters. The redoubtable tea ladies include intelligent, level-headed Hazel (who has dyslexia and can't read), flighty, soft-hearted Betty, cynical Merl and grubby Irene, who provides a lot of impetus for the plot with her shady connections, including a husband who has just died in jail.

The Cryptic Clue is set in Sydney in 1966 and features the then half-built Opera House. It's hard to remember, now that the building is the single most iconic image of the entire country, that it was highly controversial when it was first being built. Hazel befriends a Scandinavian acoustic engineer working on the project, and helping out Jørn Utzon -- who also had dyslexia, something I learned from this book.

Oddly, The Cryptic Clue and House of Many Ways both featured characters who lisped, as well as girls who didn't know how to wash dishes...

With the tea ladies' careers threatened by the new-fangled Cafébar (an Australian invention), I wonder if there will be any more sequels? Surely there will have to be a third volume at least.
 

As Fast As I Can

Full disclosure: I made friends with Penny Tangey years ago when we both attended a literary festival at a school in Queensland. She was a baby author back then, having just published her first book, Loving Richard Feynman, which I adored. I spotted As Fast As I Can in a street library -- I've had a few good finds lately!

As Fast As I Can was published in 2020 and it won both the Readings Prize and the Queensland Literary Award, and rightly so, because it's terrific. Ten year old Vivian wants to go to the Olympics. After trying and failing at several different sports, she discovers that she is actually a talented long distance runner. But when her mum is diagnosed with a genetic heart condition, it might mean the end of Vivian's Olympic dream.

As Fast As I Can is filled with Tangey's droll humour, perfectly pitched to a young audience, but as all the best kids' books are, thoroughly engaging and funny for an adult reader, too. Vivian's story is a poignant one but it's never sentimental, and there is plenty in here about changing friendships, healthy choices and family relationships, as well as hopes and dreams. Even though I've never been a runner or indeed sporty in any way, I really loved it.
 

House of Many Ways

I'm supposed to be not buying books this year (I have a pile of books TBR a mile high as well as my multiple library memberships), but I couldn't resist adding this to the cart when I was buying a different book for my daughter (yeah, I know, any excuse). I hadn't read this particular Diana Wynne Jones title before. House of Many Ways is a sort of sequel to Howl's Moving Castle, though it centres on a very relatable character called Charmain, who would rather curl up with a book than do anything else.

It's so much fun to curl up with a Diana Wynne Jones book and allow her to pelt you with all sorts of weird and wonderful stuff -- purple insectoid lubbocks, houses in multiple dimensions, a shabby and bookish royal family, a sweet little dog, a missing and mysterious 'Elfgift', delicious cakes -- and relax in the knowledge that they will all be woven together into a satisfying and logical plot with not a word out of place.

I raced through this story and enjoyed every minute, especially the parts where Charmain is working with the King to sift through the ancient royal archives to figure out where all their money has gone. And it was lovely to see Sophie and Calcifer again, though Howl appears in a very (intentionally) irritating disguise as an annoyingly cloying toddler called Twinkle, rather than his usual dashing self.

There It is Again

I picked up this 2018 collection of Don Watson's writing, There It Is Again, from an op shop about a year ago and finally got around to reading it. I am a huge admirer of Watson's writing and his politics, but it wasn't until I opened the collection that I realised that I had probably read most of these pieces before. Many of these essays first appeared in The Monthly, to which I have subscribed for many years and which probably turned me into a Don Watson fan in the first place (or maybe not, I loved Recollections of a Bleeding Heart way back in 2002 when it was first published, while The Monthly only started in 2005).

Don Watson is a wonderful writer and he writes with extraordinary vividness and insight about current affairs. The downside of focusing on this subject matter is that the political pieces date quite quickly; do I really want to read about Tony Abbott or John Howard now that that particular nightmare is over? Mind you, he was incredibly prescient about Australia's position as dutiful deputy to the US, and the dangers this might pose if, for example, a lunatic was elected to the White House... and we all know how that's worked out.

It's not just politics in this volume, though. There are sharp pieces about the degradation of language, a recurring bugbear of Watson's; there are book and radio reviews; there are extracts from other books of Watson's like The Bush and American Journeys. He is only 76, so I hope we can look forward to much more writing from Don Watson to come.
 

The Wedding Forecast & I'm Not Really Here

By chance, I ended up reading two contemporary Australian romances at the same time: Gary Lonesborough's YA novel, I'm Not Really Here, and former YA writer, now adult novelist, Nina Kenwood's The Wedding Forecast.

Both these books were sweet, satisfying romantic stories. In I'm Not Really Here, gay Aboriginal teenager Jonah's struggles are mainly internal doubts -- he feels fat and unattractive, he's not sure if his crush Harley returns his feelings or if he's even gay. In contrast, in The Wedding Forecast, thirty year old Anna is fresh out of an eight year relationship with Joel, when she meets hot but US-based actor Mac at a mutual friend's wedding. There's no doubt that Mac finds Anna equally attractive, but how can they build a life together when he's so far away? The obstacles here are mostly external ones.

Interestingly, given the different ages of the characters and presumably the intended audience, the amount of sexual content is about the same and at about the same level of explicitness (ie not massively explicit, but enough to make these books probably unsuitable for very young children -- not that they'd be harmed by reading either of these novels. I got most of my sex education from reading Jean Plaidy historical novels as an eight year old, so what would I know?)

I really enjoyed both these books. I had a long wait at the library for the Nina Kenwood, so I'm obviously not the only fan out there! And I'm happy that Gary Lonesborough's book has made it to the CBCA Shortlist, because we need so many more of these kinds of tender, honest stories, especially for boys.

Scattered Minds

Even though it's twenty five years old now, Gabor Maté's Scattered Minds remains a clear and compelling explanation of ADHD and a useful guide to what to do about it. I have a vested interest in this topic because my family has informally diagnosed my husband with (mild, manageable) ADHD tendencies. Maté himself and all his children have been diagnosed with ADD and he is breathtakingly honest about his own shortcomings as a parent as a result of the disorder.

Maté's thesis is that ADHD is the result of the infant brain failing to fully develop self-regulation, leading to the distractability, impulsivity and restlessness that are characteristic of the disorder (Maté doesn't like the term 'disorder.') A good portion of the book is devoted to exploring the concepts of attunement and attachment in parenting, which Maté believes lies at the root of the hyper-sensitivity and failure to develop self-regulation. This is familiar territory, thanks to our long-ago family therapist who was very keen on attachment. There doesn't have to be dramatic trauma for parent-child attachment to be insecure; there are all kinds of reasons why a parent might be unable to respond completely to their baby (depression, illness, instability in their lives).

Scattered Minds is highly readable and packed with good advice for parents of ADHD kids, and adults with ADHD who are now able to parent themselves and fill that gap that formed in childhood. Maté also includes an even-handed discussion of medication and what it can and cannot do; though he has taken medication himself and supported his children doing the same, he is no Ritalin cheerleader and advises caution before prescribing.
 

I Hope This Doesn't Find You

Next on my list of the CBCA Older Readers Notables is Ann Liang's I Hope This Doesn't Find You. Since I began this list, the official shortlist for the awards has been released, and it includes three books I've already read -- A Wreck of Seabirds, Birdy, and Comes the Night. I was disappointed that Deep Is the Fen missed out -- I wish Lili Wilkinson would get more recognition from awards committees.

I Hope This Doesn't Find You didn't make the shortlist cut, either, but my friend Cathy who is a librarian at a girls' school tells me Ann Liang's books absolutely fly off the shelves, so maybe she doesn't need any extra help! This novel centres on high-achieving, self-effacing private schoolgirl Sadie Wen, who has endured a ten year rivalry with her co-school captain, the insufferable (but weirdly hot) Julius Gong. Julius inspires such strong emotions in Sadie -- it's because they hate each other, right? Right?

I found this book a bit of a weird reading experience because, although Liang explicitly says it's set in Melbourne, it seems to float in a strange unanchored American-ish location, where there is a palm-lined beach two hours from the city, people say Mom and math, students aspire to attend Harvard and Berkeley and older brothers live in college dorms. I found this disorienting, but Cathy assures me it works for Liang's young readers. For me, the will-they, won't-they romance took a while to get going, and I was more interested in perfectionist Sadie's urge to control and solve every problem, while never admitting to any weakness in herself. Her dilemma is symbolised early in the novel when a secret cache of draft rage-emails are unwittingly sent to the whole school, and everyone learns what Sadie is really thinking.
 

Prep

It's official: my mild crush on Curtis Sittenfeld has turned into a full-blown passion. Her smash debut novel, Prep, which is surely at least semi-autobiographical, follows diffident, middle class, Mid-western student Lee as she navigates a posh East Coast boarding school. I never wanted this novel to end. I was totally absorbed in Lee's agonising social awkwardness, her desperate attempts to fit in. As someone tells her towards the end of the book, 'You should have realised you're not that weird, or that being weird is not that bad.' (I'm paraphrasing.)  

Lee's experience at boarding school reminded me of my own life at residential college. At one point, Lee begins cutting people's hair; it gives her a social role, a confidence, an identity. That reminded me of the way I used to tell fortunes for my fellow students with tarot cards. The section where Lee faces expulsion from the school because she's failing pre-calcuus was viscerally distressing (mind you, I can't see how she could go from utter bafflement to a B or C the next year without ever actually understanding what she'd missed). The stakes are very low throughout -- no one's life is ever at stake -- but Lee's misery and joy are so closely observed that we feel her pain and delight in our own body.

I was fascinated to discover that Ault, the posh school in the novel, was based on Groton School in Connecticut which Sittenfeld herself attended, and which in turn featured as a filming location in the movie The Holdovers, which I watched over summer. So I can summon up some images of Lee's beautiful, traditional school surroundings. It was those images that she first fell in love with, just like I fell in love with the Oxford-style (or so I assumed) buildings of my college. Mind you, the students at my college didn't have ridiculous names like Horton, Aspeth, Gates (girls) Cross, Devin, and McGrath (boys). That's first names, not surnames, just to be clear.

Curtis Sittenfeld has just released a collection of short stories, which includes one featuring the characters from Prep. I'm in two minds about whether to read it, because I've heard mixed opinions, but I bet I won't be able to resist.

 

A Company of Swans

I recently read another novel by Eva Ibbotson, The Countess Below Stairs, so I pounced on this ex-library copy of A Company of Swans. Originally published in 1985 as an adult romance (like The Countess), it was reissued in 2013 by Macmillan Children's Books. I feel this was a... dubious... decision. Certainly from the look of this cover, and the others in the Macmillan series, the casual browser would probably take A Company of Swans to be a conventional ballet book, a suitable follow-up to Noel Streatfeild's Ballet Shoes, or Lorna Hill's Sadlers Wells series. But it's not.

A Company of Swans is a sweet, frothy romance. Young adults could definitely read it in safety, and no doubt that was what Macmillan intended. However, to my eye, it is clearly marked and packaged as a children's book: a children's book that features, as the kids say these days, 'some spice.' We have brothels, seduction, naked breasts and an instance of heartbreaking child neglect. It also has an exotic setting -- South America in 1912 -- with some potentially awkward colonialist overtones. However, overall, it's a delightful romp, with a noble hero, a kind, determined heroine, and an array of stiffly respectable adversaries whose defeat is a joy to witness.

I think I know exactly what to expect from Eva Ibbotson now, and I'm looking forward to reading more.
 

Conclave

I just realised I forgot to write about Robert Harris's novel Conclave, which I finished about a week ago! I borrowed it from my daughter and gave it back to her when I'd finished reading it, so it vanished from my various book piles -- it's out of sight, out of mind, with me. My younger daughter saw a preview of the recent film, starring Ralph Fiennes, Stanley Tucci and Isabella Rossellini, and then took me to see it because she thought I'd enjoy it, which I did.

The film is mostly faithful to the novel, which follows a straightforward timeline. There are several likely candidates for the role of new pope, but as the conclave proceeds over several days, one by one doubts arise about the integrity or suitability of each frontrunner. The outside world intrudes by means of a terrorist attack nearby; Dean Lomeli (Lawrence in the film) is racked with his own crisis of faith and dabbles in a little detective work. When the last vote is taken, everyone is happy with the final decision -- but there is one more mighty twist to come...

Conclave is a highly readable, engaging glimpse into a world that most of us know little about, with its arcane rituals, shameful secrets and strange leadership role in an increasingly secular world. It was an undemanding read (it was my daughter's 'tram book') but a very enjoyable one, even though I already knew what was going to happen!
 

Upheaval

I've read almost all of Jared Diamond's comparative history books, starting with Guns, Germs and Steel, which had a profound effect on the way I saw the world, but also Collapse, The World Until Yesterday, and The Rise and Fall of the Third Chimpanzee. In Upheaval, which was actually published in 2019, Diamond takes seven case studies of nations that have faced various crises (military coups, invasion, sudden contact with the outside world) and compares how successfully (in his view) they have handled them. Interestingly, one of his case studies is Australia, and the slowly unfolding challenge this country has faced in separating our identity from Great Britain (and re-attaching ourselves to the US instead, which is not looking like a great idea at the moment). He also examines the histories of Indonesia, Finland, Chile, Japan and Germany.

The last part of the book was most interesting, because Diamond turned his critical lens on his home country, the United States, and wondered how well his own nation might handle a crisis. Upheaval was written before the Covid pandemic (which the US handled badly), and before Trump's second presidency (though during his first). Diamond pointed to the biggest problem, in his opinion, in the US being the growing polarisation of political opinion, and the loss of the ability to compromise -- it's hard to disagree that this situation has indeed led to catastrophe, just a few years after Upheaval was published. I'm sure Diamond feels no satisfaction in seeing his predictions come to pass, but his observations were so astute that I feel a new respect for his insights on other matters, too -- even Australia.
 

Deep is the Fen

Lili Wilkinson just gets better and better. Deep is the Fen is a novel set in the same universe as A Hunger of Thorns, with magical 'mettle' (like a life force or energy) controlled by a handful of corrupt corporations. Merry's father and her best friend have been co-opted into a male only organisation called the Toadmen, whose silly bonnets and secret rituals mask a more serious and sinister power.

Deep is the Fen is a perfect combination of fantasy, fast-paced action and romance (side note: I was briefly quite cross with Lili for naming one of her characters Caraway, because I've been working on a fantasy-adjacent novel also featuring a character called Caraway -- however, her Caraway is a boy and mine is a girl -- and mine may never be published, so I guess it doesn't matter!)

The Toad magic is deeply nasty, brown, marshy and pustulent, and I enjoyed the women's power uniting to challenge it (the boys also fight). I get the same 'safe hands' feeling with Lili's work that I do with other writers I trust and admire, and I'll be very pleased if Deep is the Fen wins the recognition it deserves.
 

Comes the Night

To my shame, I've only read one other Isobelle Carmody title, despite her being the 'queen of YA fantasy' as proclaimed on the cover of Comes the Night. But as soon as I started reading, it was obvious that I was in the safe hands of an experienced and accomplished author.

I would classify Come the Night as science fiction more than fantasy, though it does contain a fantasy element in the form of 'dream-walking,' whereby some individuals can enter a kind of collective consciousness known as the dreamscape and even enter into the dreamspaces of other people. There are some baddies looking to manipulate politicians and take over the world using the dreamscape, and I must confess that I became a little lost in the intricacies of their plot towards the end of the novel.

However, the struggles of Will and his friend (or more than friend?) Ender to discover what happened to Will's dead uncle Adam, the mystery of the extraordinary kite Adam left behind, who has abducted Ender's gifted twin Magda, and why, are all absorbing and exciting. This story, like We Do Not Welcome Our Ten Year Old Overlord, is set in an alternative Canberra, this time in the future (2070) when cities are protected by domes from the damaged environment resulting from climate change. People communicate with ophones, use and are monitored by household computer hubs, and travel by tubeway between domes. But they still go to see films, exercise on climbing walls and ride buses.

The world-building, as you'd expect from Carmody, is highly detailed and meticulous, and I enjoyed being immersed in this slightly dystopian world. I wondered if some of its features might have been influenced by Covid lockdowns, with intensive surveillance and the possibility of protective measures being abused by authorities. But most of all I appreciated the name of Will's beautiful and technologically sophisticated kite, Lookfar, the same name as Ged's boat in the Earthsea books.
 

Rodham

I felt a bit iffy about Curtis Sittenfeld's Rodham, as I always feel about novels that take real people as their protagonists, especially people who are still alive. (Actually I even felt a bit iffy about Geraldine Brooks using Mr March from Little Women -- though I don't have any reservations about Percival Everett's James from Huckleberry Finn, so I am not consistent at all.)

Having said that, my friend Bridget recommended it and I trust her judgement, and as usual, she was right. I really enjoyed Rodham, which is narrated by Hillary herself and interweaves real events and people with invented ones. It pivots on a crisis in Bill and Hillary's relationship, where Hillary admits she could have just as easily stayed with him or left. In real life, she stayed; in the novel, she goes, and her life from then on takes a very different trajectory. She becomes a law professor, then a senator, and runs for president several times. She continues to cross paths with Bill and also, amusingly, with Donald Trump. Sittenfeld's channelling of Trump's voice results in some of the novel's most hilarious moments (whoops, pun unintended). 

I wonder if Hillary Clinton has read this book; I'm pretty sure she wouldn't be able to bring herself to do so, and I'm equally sure that there were plenty of people in her life who were eager to read it and report back to her. She has no need to worry. This is a highly sympathetic portrait of what might have been, though Sittenfeld probably underestimates the level of hostile sexism and prejudice that Hillary would have faced, even in a fantasy alternate universe.

Look Back With Gratitude

The final volume of Dodie Smith's autobiography, Look Back With Gratitude, is the only one not available from the Athenaeum library, so I took the liberty of buying myself a copy as a Christmas present. Gratitude covers what might be called 'the American years.' Smith's partner, later husband, Alec Beesley, was a conscientious objector, and when World War II broke out, they decided to stay in the United States so that he would escape imprisonment (this became complicated later in the war, when the US joined the fight and Alec faced even more stringent rules around conscientious objection). This was not a decision taken lightly; Smith was horribly homesick and was tormented with guilt about missing out on her country's wartime sufferings. Then, when the war ended, neither could face the prospect of quarantining their three beloved Dalmatians for six months (journalists found this difficult to believe, but it was true!)

Smith's income was erratic; she earned huge chunks of money consulting on screenplays, but the last section of the book is largely concerned with the failure of her play, Letter From Paris, in London after the war. It sounds absolutely agonising, juggling cast, director, set designer, producer -- it made me realise how many elements need to gel to produce a theatrical hit and just how chancy it can be. 

It's been so odd reading these memoirs; my conception of Dodie Smith is as a fiction writer first and foremost (and Gratitude also deals with the writing of I Capture the Castle), but clearly she saw herself as principally a playwright. I have never seen or read a single one of her plays and have no idea if she was actually any good or not (I mean, she must have been, she was popular in her time and made a good living from it). Yet all those plays she fretted over and which so consumed her energies have largely vanished without a trace.

Gratitude ends with Dodie, Alec and the dogs returning to live in England in 1953, she says hopefully forever, and I think it was.

Can Any Mother Help Me?

 

Can Any Mother Help Me? was such a fascinating book! In the 1930s, an anonymous, lonely mother wrote a letter to a UK parenting magazine, which resulted in a group of women in similar situations beginning a correspondence club that lasted until 1990.

The way it worked was that the women would write 'articles' or letters to the group in general, which the editor would bind up in a lovely embroidered linen cover and post off to the first name on the list, who could then add her own comments or notes if she wished, and post it to the next person. New volumes were sent off fortnightly, so there were always various editions in circulation. In a way it functioned like an early kind of community internet forum, without the immediacy of response, of course, but bonds of lively interest, sympathy and friendship grew between these women who came from all backgrounds and different parts of the country. Most, however, were well-educated, intelligent women who were denied careers by the demands of family, and consequently felt frustrated.

The author, Jenna Bailey, discovered an archive of the letters and has compiled these extracts into a thoroughly absorbing book, covering the years of World War II and after, through domestic heartbreak, career success, worries about children and money, and everyday experiences. One episode is especially striking -- one member who developed a romantic crush on her doctor, which seemed to be reciprocated, though nothing ever happened beyond meaningful glances. She finally, after much inner torment, told him it would be better if they didn't see each other again, whereupon the doctor called her husband and Told All (not that there was much to tell...) The woman relayed this whole saga, in installments, years afterwards, and it reads like part of a novel.

It might not be everyone's cup of tea but I was completely gripped by this book, part memoir, part diary, part potted biographies of a host of everyday women. One woman, known to the club as Angharad, wrote successful TV screenplays and also several books on the 'aquatic ape' theory of human evolution. And I was amused that Heal's furniture store made another appearance -- one woman's husband made bookends for them (which seems like a very niche way to make a living).

Birdy

Birdy is South Australian author Sharon Kernot's second verse novel, after her acclaimed debut, The Art of Taxidermy. I'm not usually a fan of verse novels, but Birdy won me over, packing in a huge amount of plot, backstory, mystery and emotion into relatively few, but well-chosen, words. 

Maddy has been mute ever since 'the Incident,' which we gradually learn involved some kind of sexual assault and social media exposure (she seems more traumatised by the social media aspect than the assault). But as she gradually thaws in the peace of the countryside, and befriends young Levi and old Alice, she begins to heal. Alice says that Maddy reminds her of her missing daughter, Birdy, and Maddy feels an affinity with the other long-departed girl, and it's through Maddy that the mystery of Birdy is finally brought to closure.

I enjoyed Birdy much more than I expected to -- it wraps up pain, grief, betrayal, nature, secrets and friendship in a beautifully judged package. It might even be my top pick of the CBCAs so far.

A Shilling For Candles

Of course I found this Josephine Tey mystery at the good old Athenaeum. A Shilling For Candles is the second Inspector Grant novel and when I went hunting for a cover image, I found about a gazillion different editions since it was first published in 1936.

A Shilling For Candles kicks off with the discovery of a body on the beach, but was successful young starlet Christine Clay murdered or suicidal, or was her death a terrible accident? As always, the real interest for me in a period mystery story is the historical detail: 'cranks' (hippies and vegetarians), 'fanatics' (anyone overtly religious) and unfortunately, a light vein of anti-Semitism. I'm struggling with whether to call it anti-Semitism, since the Jewish character I'm thinking of is very sympathetic, but attention is continually drawn to his 'race' and his alleged racial characteristics, in a way that shines a horrible light on the general mood in 1936.

I particularly enjoyed the character of Erica Burgoyne, self-possessed, serious, seventeen year old would-be-detective, daughter of the Chief Constable, practical and not at all girly. I'd read a whole series about her, please.

And apparently there is a whole mystery series by Nicola Upson which features Josephine Tey herself as the detective! Of course they have them at the Ath -- I might need to check them out, too.