20.2.19

The Girls of the Rookery School

Ethel Talbot has been safely dead for seventy five years, so I'm sure I won't offend her when I say that her 1932 novel The Girls of the Rookery School is NOT a good book.

Just look at that gawp, Peggy, on the cover, with her gormless expression and the cricket ball hidden in her hand. Do you think it's possible that this sickly dweeb, expressly forbidden to play games after fainting while running across the Downs near her new school, could ever secretly develop a gift for tricky left handed bowling? Do you think that said dweeb might get the chance to save the day in the very last match of the season, against the 'literal Amazons' of Dean House, when her best chum Irene has to be subbed out with smashed glasses? Do you think that the very sporting captain of the Dean House team will agree to allow the opposition team mascot to bowl the last few balls of the match, so that Peggy can skittle their best batsman? You bet she will, despite the fact that, while batting substitutions are a long-established tradition in cricket, bowling substitutions are, to say the least, unusual.

But that's the least of the implausibilities in a plot which contains a stolen ruby, yokels who speak in laborious dialect ("Rookses is queery birdies, to be zure, liddle missie..."), a long-ago scandal and students who are so terrified of an Inspector's visit that they speak of little else for a whole term. We are told about five times in the opening chapters that the character of Polly is always called "Flinders", after which she is called Flinders ONCE and otherwise known to everyone as... Polly.

There is also this priceless passage:
 Polly was telling everything before another moment had passed. All about the last weeks' unhappiness. In the cloakroom their arms were round each other; their hot cheeks were pressed together; they were kissing each other for the first time.
Alas, it's not another contender for Jenny Pausacker's excellent list, just a rather over-heated reconciliation.

Oh, and does Peggy find the lost ruby? What do you think?

18.2.19

Take Three Girls (again)

I have reviewed Take Three Girls before. I loved it when it first came out, and it didn't suffer from re-reading. Cath Crowley, Simmone Howell and Fiona Wood are all such gifted writers, this novel flies along. It was a deserved winner of last year's CBCA Book of the Year for Older Readers.

When you're a teenager, the shape of your life is like a circle inside a triangle. The inner circle is your friendships, and outside that lie the three important elements of work (usually schoolwork, and decisions about career), love (figuring out who you're attracted to) and family (still your bedrock, even as you're beginning to separate from them).

This time I noticed that Kate's problems centre around work: her choice between music and medicine. Clem's problems mostly deal with love: her relationship with the incredibly unsuitable Stu. And Ady's problems lie at home, with her breaking-apart family. Each of the girls also deals with the other two points of the triangle, but the focus seemed clearer this time.

Again, I noted that the three girls, while dealing with adolescent problems, all behaved with astounding maturity and insight, certainly much more than I had at sixteen. One of my daughters is now two years older than the protagonists of Take Three Girls, and I just can't imagine her handling herself with the same degree of responsibility!

16.2.19

How To Bee

Bren MacDibble's How To Bee took out the Younger Readers CBCA Book of the Year award last year, but even before that I had seen its gorgeous golden cover everywhere.

Peony lives on a farm with her sister and grandfather, after some near-future apocalyptic event known as the Famine. They work hard for their Foreman, and live simply, but they have enough to eat (just) and each other. Peony's mother works in the city, and returns occasionally with money; but then, expecting a baby and unable to work as hard as she's expected to, she decides that Peony should come back with her. Mother and daughter work as servants to a rich family, but rich girl Esmeralda suffers from debilitating fear of everything. Can brave, smart Peony teach her courage, and will Esmeralda repay her friendship with freedom?

I can see why How To Bee won all its awards. The voice of Peony leaps off the page, lively and distinctive. I bet this book was unlike any other the judges read last year. At its heart, this is a story about friendship and family, and it comes full circle in a very satisfying way. I loved its recognisable Australian-ness too, and with its city streets filled with desperate beggars, this imagined future didn't feel too far away.

11.2.19

The Pen and Pencil Girls

I was introduced to Clare Mallory's The Pen and Pencil Girls by my friend Penni, whose childhood favourite it was. She lent me her battered, coverless copy years ago and I loved it almost as much as she did (not quite as much, because you just can't love books with the same passionate intensity after you grow up -- sad but true).

BUT I loved it so much that I was very excited to discover my very own copy (with a cover!) in a pile of elderly books gifted to me by another friend and otherwise destined for the knacker's yard (or the pulping station). What a shame that would have been, because The Pen and Pencil Girls is gorgeous.

First published in New Zealand in 1948, the plot reminds me very much of Noel Streatfeild (that is high praise, believe me) in that it deals with a group of children collaborating on a joint project. In Streatfeild, it's usually some kind of performance -- a play or a pageant or a dance -- but in Mallory's story, the Pen and Pencil Club combine to produce a BOOK for a competition. They all write stories or poetry, some more accomplished than others; one girl is a talented artist, who produces the illustrations; one girl ingeniously figures out how to bind the book together; and one types out the whole manuscript on her typewriter, no mean feat without a delete button. ('She'll make a wonderful secretary some day,' says her proud father.)

As you can see from the quote above, the book has dated -- a lot -- and the characters lack the sharp distinction that Streatfeild would have given them, but it's still a lot of fun. The main sub-plot involves the bringing together of a newly blended family ('Give them time to get to know each other,' advises the wise Mum; though no one seems to have thought of introducing any of the members of the new family to each other before the wedding day!)

The Pen and Pencil Girls also taught me about the pride of the Southlanders -- it makes a nice change to have a kids book set in New Zealand, even one that's over seventy years old.

6.2.19

Risingtidefallingstar

I borrowed Philip Hoare's Risingtidefallingstar from the library purely on the recommendation of The Reluctant Dragon, because Susan and I seem to share similar tastes!

This is one of those books that is difficult to classify. It's part memoir, part nature study, part philosophical musing, part biography, all twining around the subject of the ocean. Hoare recounts the personal histories of various figures (Herman Melville, Elizabeth Barrett Browning, Stephen Tennant, Wilfrid Owen and others) whose lives were shaped by the sea in different ways, finding unexpected echoes and resonances between them, across time and space.

But this is also a very personal story about Hoare himself and his own obsession with the ocean (he has written two previous books about the sea). It's also a love letter to David Bowie in The Man Who Fell to Earth (though neither the film nor the performer is named).

Risingtidefallingstar is a meditative book which kept surprising me, like a wave rising up underneath you. The best way to approach it is just to spread your arms, lie back and surrender, and let it drift you where it will.

4.2.19

Histories of the Unexpected

My elder daughter asked for this book for Christmas after listening to the associated podcast, and it proved surprisingly difficult to get hold of. I think Readings had to order it in for us specially! So my reward for all that effort was to kidnap it and read it myself first... What? She has all this VCE reading to do, she doesn't have time to waste on this kind of frivolity!

I haven't heard it myself, but I can see that Histories of the Unexpected has the perfect format for a podcast. Sam Willis and James Daybell take an everyday object (the moustache, scars, clouds, chimneys) and track its evolution, appearance across different cultures, or strange moments in time, to create a quirky but informative chapter, which always links to the next subject.

For instance, the chapter on Holes starts with a racy story of sixteenth century fornication observed through a hole in the wall; explores the history of priest holes built to shelter Elizabethan priests in recusant Catholic households; discusses other hiding places in walls now being discovered by modern laser scanners; mentions treasure hoards hidden in holes in the ground; talks about how objects can be lost from holes in pockets and later found by archaeologists; laments the damage caused by bookworms chewing holes in paper; and finishes up with holes in linen being mended by the unfortunate inmates of Magdalene Laundries... which links to the next chapter, the history of beds.

Broken up into easily digestible tidbits, this is a great book for browsing. I ended up reading a chapter a day. Overall, it's too thick a book to consume in one go, but it's clearly not designed for that. Like a podcast, best swallowed one tasty bite at a time.

1.2.19

Geordie

Geordie was published in 1950 (though it was written during the war) and turned into a film shortly thereafter. I assume that after the horrors of war, people were in the mood for a gentle tale about an innocent Highlander who finds himself putting the shot for Britain in the Olympics in faraway America (though actually the 1956 Olympics were held in Melbourne, rather than Boston, as the novel surmises).

Though it's pitched as a sweet, amusing story about a gentle giant and his love, wee Jeanie, and the rapacious Helga who sets her lusty sights on our naive hero, I found David Walker's novel pretty irritating. I have Scottish ancestry and Scottish friends, and I found myself bristling at the patronising, condescending tone of the book, the thick dialect and the thick heads of the Scottish characters. Also, this copy was missing twenty pages in the middle (to be honest, I don't think that affected my enjoyment).

But I can't deny, Geordie is way buff. Check out that cover! How can anyone resist a man in a kilt? No wonder Helga got carried away.