The events of their time in Kashmir also formed the basis for Godden's later novel, Kingfishers Catch Fire, but there is no whisper of that drama in these pages (one of their servants apparently tried to poison the family with ground glass). Instead, the focus is on the utter physical beauty of the mountains, the quiet serenity of their lives there, Godden's gradual calming after a turbulent period in her life. It's a very meditative book, short passages, sometimes no more than a sentence or two, or a brief snatch of dialogue. Godden reflected that this time was valuable in truly getting to know her children, and 'Rafael' and 'Sabrina' emerge as vibrant characters.
Godden returned again and again to this precious, brief time in her writing; it was obviously both a golden period of joy and beauty, and a harrowing crisis. Though she doesn't talk about the bad side, that emotional intensity colours Thus Far and No Further.