Set in the wine-growing town of Trier, our first mysterious corpse has been choked by mould, which proves to be 'noble rot,' used in wine making. But there's a tangled backstory that involves German river goddesses, ancient wizards, a men's social group, an attempted rape twenty years ago, layers of German bureaucracy and fun compound words, and an over-enthusiastic assistant.
The October Man doesn't really contribute anything extra to the main Rivers of London narrative, apart from a vague warning that magic is increasing, but it's a fun excursion. What's the point of creating this rich, sprawling universe if you don't explore its outer reaches now and then?


No comments:
Post a Comment
0 comments