American Wife

I'm such a dill, I borrowed Curtis Sittenfeld's most acclaimed novel, American Wife, from the Ath, completely forgetting that I'd ordered a copy from Brotherhood Books. So I read half of it in the library's copy and half in the one that eventually arrived (it took ages, it went via Brisbane for some reason, no wonder I lost track). But I'm very happy to own a copy.

There is definitely a recurring theme in Sittenfeld's work, where a quiet, bookish woman is taken up by a charismatic, out-going man. Sometimes this leads to a fairytale romance, as in Romantic Comedy; sometimes it's a disaster, as in Rodham or Prep. In American Wife, the outcome is more ambiguous and for that reason, all the more interesting. Modelled on the life of Laura Bush, wife of President George, American Wife follows Alice Blackwell from rural high school to the White House. After a tragic event in adolescence, Alice marries rich, happy-go-lucky Charlie, who makes her life more fun and carries her into a milieu of immense wealth and privilege. But Alice retains her watchful introspection. She sees both Charlie's charm and his shallowness clearly, but perhaps less clearly than she thinks she does.

American Wife is over 600 pages long and I was riveted all the way through. How much do I love Curtis Sittenfeld? At some point I will have read everything that she's written and that will be a very sad day in my life. There's something about the granular detail of her writing that I find completely absorbing. It might not be for everyone but I love it.

The Dragonfly Pool

One of Eva Ibbotson's children's books -- yes, I am on an Ibbotson splurge -- The Dragonfly Pool came from the local library and has obviously been well-read, which I'm happy about. It's not unlike her adult books in flavour, but the two main protagonists are twelve years old: a thoughtful girl, Tally, and an oppressed prince, Karil. The libertarian school of A Song for Summer reappears, this time in the Devon countryside, but again we are in the years just before the outbreak of the Second World War, and again Hitler and his henchmen are causing havoc in the lives of our characters.

The Dragonfly Pool is definitely for younger readers, because there is no sex; however, there is an assassination and real danger even for the most vulnerable of child characters. And there is real cruelty, too, albeit meted out by cartoonishly wicked adults.

There is a very European sensibility to Ibbotson's novels, even when they are set in South America or England. There is often some kind of pivotal performance, whether it be opera, a religious procession, a ballet or a play. There will be idyllic countryside. There will be an enigmatic, accomplished man. There will be artists and teachers and aristocrats. There will be misunderstandings and selfless sacrifice, but things will work out all right in the end. This is Ibbotson's universe, and it's one I'm happy to spend time in.

Weevils in the Flour

The Great Depression was almost a hundred years ago. My mother was born during it, and I remember my grandmother saying that their family managed all right because her parents had helped them buy their house. My grandfather worked as a clerk at Dunlop during the war, and I assume he might have had the same job while the depression was on. So my family was pretty lucky, though I'm sure that living in the lower-middle class and working suburbs of Preston and Thornbury, they saw plenty of poverty and suffering.

Wendy Lowenstein's oral history of the 1930s, Weevils in the Flour, is a confronting read. It's not a short book, and I admit I skimmed through some of the chapters, especially the ones about long-ago politicians and strike actions, but I was riveted by the stories of how families coped (or didn't) -- evicted onto the streets, making clothes out of flour sacks, the men waiting for hours on the off chance of some casual labour, toiling on road works for sustenance relief (and expected to perform hard physical labour despite being badly malnourished), children not attending school because they didn't have shoes, people living on wild-caught rabbits and home-grown vegetables. 

There were stirring stories of how the left wing organisations, particularly the unions, fought for fairness: when a family was evicted for not paying the rent, a group might rush to the house and start to tear it apart -- after a few such occasions, the landlords stopped evicting their tenants! There were unions for unemployed workers who agitated for greater support. The most frightening aspect of the times is that no one seemed to really understand what was happening or how to deal with it -- politicians just kept bleating that 'there was plenty of work.' It's hard to imagine how cruel this must have sounded to the people who knew damn well that it wasn't true. And then the war came along and fixed it all...

Lowenstein admits there are omissions in these accounts -- not enough women, not enough from the self-employed. I would add that there is not a single First Nations voice in this book, and not many non-Anglo stories either.

A knowledge of this history helps to put our current economic woes into perspective. Our current standard of living is so insanely high -- everyone seems to expect multiple yearly overseas holidays, regularly renovated bathrooms, new cars every couple of years, constant new clothes and furniture as a matter of right. And this high consumption lifestyle is burning our planet out from under us. It's sobering but weirdly reassuring to read about a time when expectations were so low and that people (mostly) managed to survive.
 

I Heard the Owl Call My Name

I know I read Margaret Craven's 1967 novel, I Heard the Owl Call My Name, for school, though I can't remember what year it was. My current copy was a present from a new friend (at the time) in 1985 and he was very disappointed, though also vindicated, to learn that I already had it and had loved it. But I don't think I've re-read it for forty years.

This book was my first introduction to Native American culture (the people of the remote village are referred to as 'Indians' throughout) and it made a deep impression -- perhaps deeper than I realised at the time. I think I Heard The Owl Call My Name paved the way for my reading of The Songlines a few years later, which made an even more indelible impression (I wonder if I should re-read Bruce Chatwin's book and see if it stands up -- or maybe not!). This slim novel recounts in clear, calm prose, the couple of years that a young vicar spends in this small community, giving of his own labour and wordly knowledge, and receiving in turn their wisdom and love.

There is a clear parallel between the experience of Mark, the vicar, who is dying, and the culture of the tribe, which is also slowly being lost. In both cases, the process is presented as sad but inevitable, to be accepted with grace, not resisted, as part of the natural cycle of the world. I don't think this novel would, could or should be written in the same way today. But I Heard the Owl Call My Name remains a beautiful and moving story of connection between two very different worlds.
 

Into the Mouth of the Wolf

 

Erin Gough's third YA adult made it from the CBCA Notables list onto the shortlist, and I wouldn't be too surprised if it took out the big prize in the end. Gough is an assured writer with a capable grasp of her material. Into the Mouth of the Wolf begins at full speed and keeps up a brisk pace throughout. However, this is not just a spec-fic thriller (though it is that), it's also a queer romance and a story about friends and friendship, loyalty and betrayal. The device of the parallel worlds works neatly to ramp up the tension as well as to raise the stakes.

Iris and her mother are on the run; Lena, living on the other side of the portal, might be able to provide sanctuary, but who can she trust? The world of Glassy Bay seems most closely related to our own, beset by fires and floods, while Iris's world of Vardo is rocked by terrible earthquakes which are connected to a new and dangerous technology. Most readers will be able to draw their own analogies.

I really enjoyed Into the Mouth of the Wolf, with its exciting adventure plot, quieter heartfelt scenes and moments of humour. The only part I found hard to believe was that Iris's mother would act as she did, but that's a minor quibble in  a very strong novel.

Woman of Substances

I read Jenny Valentish's Woman of Substances as research for my current work in progress (very much in the early stages). Part memoir, part non-fiction study of women and addiction, this was a fascinating and sometimes terrifying excursion into a part of life I know very little about. As someone who was too wussy to dip more than a toetip into the world of illicit substances, it made me feel queasy to read about Valentish's many brushes with physical danger, social humiliation and bitter regret. However, Valentish is deeply compassionate toward herself and others who turn to drugs, alcohol or other addictions for escape, comefort or self-medication, and it's clear that some kind of trauma is usually at the bottom of these choices.

Valentish examines the particular social and biological difficulties faced by women and the specific hurdles that can make it especially hard for them to access treatment. Hardly any rehab facilities accept children; there is confusion about whether it's preferable to treat pyschological trauma or substance abuse first, when the two are frequently intertwined; women are more vulnerable to food disorders because of the social pressure to be judged on looks.

Valentish's candid use of her own experience makes Woman of Substances a vivid and wrenching examination of vulnerability and strength, and while it's often raw and painful, it does offer realistic hope and encouragement for others in the same boat.

A Song For Summer

Another lovely Eva Ibbotson novel, this one from 1997 (she kept writing almost up until her death in 2010). A Song For Summer is set at an eccentric artsy school in Austria, just before the outbreak of the Second World War. Our heroine is Ellen, who despite being the child of a famous suffragette, has turned her talents to the housewifely arts and is working as a cook. Our hero is Marek, who despite being a world-renowned composer, is working as a groundsman and handyman in the same establishment (he's secretly rescuing Jews from the Nazis). This time there are three ill-matched couples who need to be disentangled and reassorted, and the obstacles in their way are even more dramatic than usual, including an actual marriage, a terrible fire, and of course the war.

By now I know exactly what I'm going to get from an Eva Ibbotson novel, and if some of her notions are a little old-fashioned, she's also refreshingly candid about sex, and values kindness above all other virtues. There will probably be a big old neglected house somewhere in the mix, a lake or a river and some animals, a precocious child, and music, as well as our star-crossed lovers. My only quibble was an anachronistic mention of Bletchley Park at a time when its very existence was top secret, but I can overlook that. I'm so glad to have discovered Eva Ibbotson.
 

Always Was, Always Will Be

I was lucky enough to see Thomas Mayo speak at the recent Sorrento Writers Festival. In person, he is a calm, strong, gentle presence, the very embodiment of healthy masculinity. Always Was, Always Will Be was written in the aftermath of the unsuccessful Voice referendum which had such a disappointing result and seems to have virtually shut down any further discussion of First Nations issues since. It wasn't until some far-right dickheads disrupted the Anzac Day Welcome to Country speech that any politicians even mentioned Aboriginal issues in the current election campaign.

But Always Was, Always Will Be begins and ends with a message of hope and optimism. It's subtitled 'the campaign for justice and recognition continues,' and it contains numerous practical ideas for allies to take the fight forward. As Mayo points out, every other step toward equality and justice has at first been met with opposition and hostility, and yet slowly the cause has crept in the right direction.

The book is less than two hundred pages, but it neatly summarises the history of First Nations peoples since colonisation, a history of oppression and pain that even in 2025, many Australians would prefer to deny or forget, or are simply ignorant about. Without this basic historical understanding, there will never be justice. Always Was, Always Will Be is engaging and simply written, without bitterness or blame, and I hope it will provide a perfect starting place for anyone who is curious about First Nations issues.

She Said

I didn't realise, when I borrowed She Said, by Jodi Kantor and Megan Twohey, that my reading it would coincide with Harvey Weinstein's rape retrial (though he will remain in jail on other charges, no matter what the result). One of the reasons for the retrial is the contention that the judge improperly allowed what's called 'propensity evidence,' in other words, evidence from other women, not plaintiffs in the case, to give evidence that Weinstein had acted in a similar way with them -- to show that he had a pattern of predatory behaviour. In a way, this cuts to the very heart of the Me Too movement, which relies on women sharing their testimony to provide a weight of corroboration that eventually becomes irrefutable.

Kantor and Twohey, the New York Times journalists who broke the Weinstein story, had to dig behind numerous non-disclosure agreements, which acted to silence many individual women and hide the truth of Weinstein's history of sexual assaults. It wasn't until a couple of brave women came forward to bear witness, facing down the threat of legal action, on-line vilification, and personal intimidation, that Weinstein was toppled.

She Said also covers the story of Christine Blasey Ford, who revealed that Supreme Court hopeful Brett Kavanaugh had sexually assaulted her in high school, and subsequently suffered the full weight of the above consequences. Kantor and Twohey end the book on a note of hope, with a gathering of the women involved in the Weinstein case comparing their experiences and bonding together; but I can't help feeling that the backlash is in full swing. In Australia, the preferred silencing tactic is defamation laws, and anyone who has followed the case of Bruce Lehman and Brittany Higgins must feel disheartened. The full weight of patriarchy still comes crashing down on any woman who dares to challenge toxic male behaviour, and with serial sex offender Trump in the White House, things are not looking any brighter.
 

The Cryptic Clue

I really enjoyed Amanda Hampson's first Tea Ladies mystery, so I was thrilled to spot this second novel, The Cryptic Clue, in a local street library (I told you I'd made some good finds lately!) Just as with Richard Osman's murder mysteries, the real joy is the cast of characters. The redoubtable tea ladies include intelligent, level-headed Hazel (who has dyslexia and can't read), flighty, soft-hearted Betty, cynical Merl and grubby Irene, who provides a lot of impetus for the plot with her shady connections, including a husband who has just died in jail.

The Cryptic Clue is set in Sydney in 1966 and features the then half-built Opera House. It's hard to remember, now that the building is the single most iconic image of the entire country, that it was highly controversial when it was first being built. Hazel befriends a Scandinavian acoustic engineer working on the project, and helping out Jørn Utzon -- who also had dyslexia, something I learned from this book.

Oddly, The Cryptic Clue and House of Many Ways both featured characters who lisped, as well as girls who didn't know how to wash dishes...

With the tea ladies' careers threatened by the new-fangled Cafébar (an Australian invention), I wonder if there will be any more sequels? Surely there will have to be a third volume at least.
 

As Fast As I Can

Full disclosure: I made friends with Penny Tangey years ago when we both attended a literary festival at a school in Queensland. She was a baby author back then, having just published her first book, Loving Richard Feynman, which I adored. I spotted As Fast As I Can in a street library -- I've had a few good finds lately!

As Fast As I Can was published in 2020 and it won both the Readings Prize and the Queensland Literary Award, and rightly so, because it's terrific. Ten year old Vivian wants to go to the Olympics. After trying and failing at several different sports, she discovers that she is actually a talented long distance runner. But when her mum is diagnosed with a genetic heart condition, it might mean the end of Vivian's Olympic dream.

As Fast As I Can is filled with Tangey's droll humour, perfectly pitched to a young audience, but as all the best kids' books are, thoroughly engaging and funny for an adult reader, too. Vivian's story is a poignant one but it's never sentimental, and there is plenty in here about changing friendships, healthy choices and family relationships, as well as hopes and dreams. Even though I've never been a runner or indeed sporty in any way, I really loved it.
 

House of Many Ways

I'm supposed to be not buying books this year (I have a pile of books TBR a mile high as well as my multiple library memberships), but I couldn't resist adding this to the cart when I was buying a different book for my daughter (yeah, I know, any excuse). I hadn't read this particular Diana Wynne Jones title before. House of Many Ways is a sort of sequel to Howl's Moving Castle, though it centres on a very relatable character called Charmain, who would rather curl up with a book than do anything else.

It's so much fun to curl up with a Diana Wynne Jones book and allow her to pelt you with all sorts of weird and wonderful stuff -- purple insectoid lubbocks, houses in multiple dimensions, a shabby and bookish royal family, a sweet little dog, a missing and mysterious 'Elfgift', delicious cakes -- and relax in the knowledge that they will all be woven together into a satisfying and logical plot with not a word out of place.

I raced through this story and enjoyed every minute, especially the parts where Charmain is working with the King to sift through the ancient royal archives to figure out where all their money has gone. And it was lovely to see Sophie and Calcifer again, though Howl appears in a very (intentionally) irritating disguise as an annoyingly cloying toddler called Twinkle, rather than his usual dashing self.

There It is Again

I picked up this 2018 collection of Don Watson's writing, There It Is Again, from an op shop about a year ago and finally got around to reading it. I am a huge admirer of Watson's writing and his politics, but it wasn't until I opened the collection that I realised that I had probably read most of these pieces before. Many of these essays first appeared in The Monthly, to which I have subscribed for many years and which probably turned me into a Don Watson fan in the first place (or maybe not, I loved Recollections of a Bleeding Heart way back in 2002 when it was first published, while The Monthly only started in 2005).

Don Watson is a wonderful writer and he writes with extraordinary vividness and insight about current affairs. The downside of focusing on this subject matter is that the political pieces date quite quickly; do I really want to read about Tony Abbott or John Howard now that that particular nightmare is over? Mind you, he was incredibly prescient about Australia's position as dutiful deputy to the US, and the dangers this might pose if, for example, a lunatic was elected to the White House... and we all know how that's worked out.

It's not just politics in this volume, though. There are sharp pieces about the degradation of language, a recurring bugbear of Watson's; there are book and radio reviews; there are extracts from other books of Watson's like The Bush and American Journeys. He is only 76, so I hope we can look forward to much more writing from Don Watson to come.
 

The Wedding Forecast & I'm Not Really Here

By chance, I ended up reading two contemporary Australian romances at the same time: Gary Lonesborough's YA novel, I'm Not Really Here, and former YA writer, now adult novelist, Nina Kenwood's The Wedding Forecast.

Both these books were sweet, satisfying romantic stories. In I'm Not Really Here, gay Aboriginal teenager Jonah's struggles are mainly internal doubts -- he feels fat and unattractive, he's not sure if his crush Harley returns his feelings or if he's even gay. In contrast, in The Wedding Forecast, thirty year old Anna is fresh out of an eight year relationship with Joel, when she meets hot but US-based actor Mac at a mutual friend's wedding. There's no doubt that Mac finds Anna equally attractive, but how can they build a life together when he's so far away? The obstacles here are mostly external ones.

Interestingly, given the different ages of the characters and presumably the intended audience, the amount of sexual content is about the same and at about the same level of explicitness (ie not massively explicit, but enough to make these books probably unsuitable for very young children -- not that they'd be harmed by reading either of these novels. I got most of my sex education from reading Jean Plaidy historical novels as an eight year old, so what would I know?)

I really enjoyed both these books. I had a long wait at the library for the Nina Kenwood, so I'm obviously not the only fan out there! And I'm happy that Gary Lonesborough's book has made it to the CBCA Shortlist, because we need so many more of these kinds of tender, honest stories, especially for boys.

Scattered Minds

Even though it's twenty five years old now, Gabor Maté's Scattered Minds remains a clear and compelling explanation of ADHD and a useful guide to what to do about it. I have a vested interest in this topic because my family has informally diagnosed my husband with (mild, manageable) ADHD tendencies. Maté himself and all his children have been diagnosed with ADD and he is breathtakingly honest about his own shortcomings as a parent as a result of the disorder.

Maté's thesis is that ADHD is the result of the infant brain failing to fully develop self-regulation, leading to the distractability, impulsivity and restlessness that are characteristic of the disorder (Maté doesn't like the term 'disorder.') A good portion of the book is devoted to exploring the concepts of attunement and attachment in parenting, which Maté believes lies at the root of the hyper-sensitivity and failure to develop self-regulation. This is familiar territory, thanks to our long-ago family therapist who was very keen on attachment. There doesn't have to be dramatic trauma for parent-child attachment to be insecure; there are all kinds of reasons why a parent might be unable to respond completely to their baby (depression, illness, instability in their lives).

Scattered Minds is highly readable and packed with good advice for parents of ADHD kids, and adults with ADHD who are now able to parent themselves and fill that gap that formed in childhood. Maté also includes an even-handed discussion of medication and what it can and cannot do; though he has taken medication himself and supported his children doing the same, he is no Ritalin cheerleader and advises caution before prescribing.