20.11.19

Eleanor Oliphant Is Completely Fine

I picked up my copy of Gail Honeyman's smash hit, Eleanor Oliphant Is Completely Fine, from Royal Talbot Rehabilitation Hospital's second hand book shelves earlier this year. My copy is plastered with even more award stickers than the one in the picture, and after reading it, it's easy to see how it's amassed so many accolades.

This is a mystery story, in some ways a horror story, but packaged up in highly entertaining wrapping. Eleanor Oliphant tells her own story, and her voice is fresh, funny and very distinctive, even while she's recounting a story of pain, loneliness and childhood abuse that might be impossible to digest otherwise. At times the reader almost feels guilty for finding Eleanor amusing, as she is clearly dealing with a legacy of tremendous suffering.

As always, salvation lies in connection. Through small acts of kindness, Eleanor re-enters the world she has shut out, and it's rewarding to journey with her, as bit by bit, she blossoms. She is supposed to be about thirty, but sometimes she reads like a woman twice that age. A bonus is that the book is set in Glasgow and lovely Scottishness lies over the whole book like a mist. An excellent pick-up.

2 comments:

  1. One of those books I couldn't put down and read almost in the one sitting. And it's the voice - clever Gail Honeyman's "Eleanor" voice - that does it. It was one of my real finds of last year.

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  2. Yes, the voice is everything. Creative writing students should use it as an example.

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