The Intimate Reader
I've always been secretive about my writing. I used to hide my private stories (not for school) in a box beneath the bed, protected with elaborate safeguards, and buried under layers of decoy material in case of accidental discovery.
I'm not a writer who likes to share the process.* The thought of a writing workshop, where you read out your latest work and lay it bare to the spontaneous critiques of your listeners, fills me with a cold horror. I don't show my nearest and dearest my work in progress. I don't discuss my plot lines with my husband (I did this once, and it killed the project stone dead on the spot). I like to polish and revise in private, and when the manuscript is in the best shape I think I can make it, I'll send it off into the ether and try to forget about it until the verdict returns, in the shape of the reject letter (and I've had plenty of those) or the encouraging email.
But now Michael is reading the draft version of Crow Country. This makes me edgy. Generally, he is very positive, but he's also excellent at spotting mistakes, and he's not afraid to ask questions if something doesn't make sense. He doesn't read much fiction, and he's impatient. He wants to know why, and he's not used to waiting for the text to reveal the answer further on. I suppose if I was lying in bed next to Hilary Mantel as I was reading Wolf Hall,** I'd probably ask her questions about too, but I must say I find it unnerving***.
Perhaps I wouldn't be so nervous if I couldn't see him reading it; half a dozen other people have read it by now. On the other hand, I'm not married to any of them.
I don't mind people reading what I've written once it's all bound up and printed as a book. (This is lucky, considering my choice of profession.) It's as if, once it gets to that stage, it's received some kind of official approval: it's been stamped READY FOR THE WORLD. A book has its own independent existence. But before it's published (born?), it's raw and vulnerable and helpless; it's not quite separate from me, still living in my imagination and supported by it, alterable, not quite existing in its own right. I hesitate to say, like a foetus in the womb, but it is a little like that.
This particular half-formed baby is due in September. There's plenty of time to fix the mistakes, to feed it and make it stronger, so it can face the world with confidence. And I know I can't do all that on my own; I need the help of expert, trusted readers. And Michael, though he would never say so himself, is one of them.
* Which, paradoxically, is why co-writing Dear Swoosie was an exhilarating, liberating experience, but one which I could never have undertaken except with such a trusted friend and colleague (and brilliant writer) as Penni.
** Jeez, it's good. 600 pages of solid, nourishing meat and not one word too long.
*** No doubt Hilary Mantel would be unnerved to find herself in bed with me too, but never mind.
6.1.11
30.12.10
The Doctor (And Another Doctor)
So it's a year since Stephen Moffat took over the reins as executive producer and chief writer at Doctor Who, and it's time to consider what kind of a fist he's making of the job. In my opinion: a pretty damn good one.
In the new version of Who, I've always loved Stephen Moffat's episodes the best. His writing is simply breath-taking, and he understands the possibilities of time travel for clever, puzzling, deeply satisfying stories in a way that I don't think Russell T. Davies was ever really interested in. It seemed to me that RTD was so caught up in the mythology of the Doctor's character (a near-immortal, deeply lonely, almost god-like figure, stalking the wastes of time and space with the fate of worlds weighing oh-so-heavily on his shoulders, etc etc) that he rather neglected the sheer fun you can have with a time machine, zooming back and forth to five minutes ago with a silly fez on your head and contradicting what you're just about to say, if only you hadn't already said it.
I was quite prepared to not warm to Matt Smith's Doctor (too young, not serious enough) but he's won me over. It's been a wrench to part from David Tennant's No. 10, who did seem to me the perfect embodiment of the Doctor, but I think I've come to terms with it now. And I must admit, at times, RTD's Doctors were so freighted with all that history, all that meaning, that it sometimes became a bit... a bit much. A bit pompous, a bit earnest, a little bit too much staring soulfully into the middle distance with flames in the background. The Eleventh Doctor, Stephen Moffat's Doctor, is playful and merry and clever, and most of the time, he's having fun.
Having said all that, I do have reservations. I don't like the new Daleks. The cartoonish, clunky, brightly-coloured versions just aren't scary to me; I prefer the rough, industrial, ruthless originals. I'm not sure about all this business about being married to River Song; the Doctor doesn't do "married."Moffat doesn't seem to have the same reverence for the Doctor's mythos as RTD; he chucks stuff around a smidge too carelessly, perhaps.
But I can go with it. We all have our own visions of the Doctor. I was around when John Nathan-Turner reinvented the Fifth Doctor as a youthful action hero; there were gasps of dismay from fandom, but we all survived. And the Doctor and his TARDIS keep on spinning, through eternity.
So it's a year since Stephen Moffat took over the reins as executive producer and chief writer at Doctor Who, and it's time to consider what kind of a fist he's making of the job. In my opinion: a pretty damn good one.
In the new version of Who, I've always loved Stephen Moffat's episodes the best. His writing is simply breath-taking, and he understands the possibilities of time travel for clever, puzzling, deeply satisfying stories in a way that I don't think Russell T. Davies was ever really interested in. It seemed to me that RTD was so caught up in the mythology of the Doctor's character (a near-immortal, deeply lonely, almost god-like figure, stalking the wastes of time and space with the fate of worlds weighing oh-so-heavily on his shoulders, etc etc) that he rather neglected the sheer fun you can have with a time machine, zooming back and forth to five minutes ago with a silly fez on your head and contradicting what you're just about to say, if only you hadn't already said it.
I was quite prepared to not warm to Matt Smith's Doctor (too young, not serious enough) but he's won me over. It's been a wrench to part from David Tennant's No. 10, who did seem to me the perfect embodiment of the Doctor, but I think I've come to terms with it now. And I must admit, at times, RTD's Doctors were so freighted with all that history, all that meaning, that it sometimes became a bit... a bit much. A bit pompous, a bit earnest, a little bit too much staring soulfully into the middle distance with flames in the background. The Eleventh Doctor, Stephen Moffat's Doctor, is playful and merry and clever, and most of the time, he's having fun.
Having said all that, I do have reservations. I don't like the new Daleks. The cartoonish, clunky, brightly-coloured versions just aren't scary to me; I prefer the rough, industrial, ruthless originals. I'm not sure about all this business about being married to River Song; the Doctor doesn't do "married."Moffat doesn't seem to have the same reverence for the Doctor's mythos as RTD; he chucks stuff around a smidge too carelessly, perhaps.
But I can go with it. We all have our own visions of the Doctor. I was around when John Nathan-Turner reinvented the Fifth Doctor as a youthful action hero; there were gasps of dismay from fandom, but we all survived. And the Doctor and his TARDIS keep on spinning, through eternity.
23.12.10
Down To The River
I was in charge of four little girls yesterday and we all went down to the creek. The girls found two more friends from school already playing in their special hideout, so I left the kids to free-range while I sat nearby, but out of sight, by the water's edge.
From time to time the girls would appear. Once they brought long willow switches to "fish" in the creek; they'd run back to me to get drinks of water and fetch biscuits to bring back to their cubby; they'd come to report their injuries - a cut finger, a near-miss falling out of a tree. I could hear them playing, mostly peacefully.
For nearly two hours I sat and watched the creek. The air was full of thistledown, swirling like summer snowflakes. Cyclists whizzed by along the path at my back, dog walkers brought their pets to the water on the far side of the creek. The sun shone on the brown water and turned it the colour of milky tea. A family of nine ducklings and a mother duck bobbed and skittered downstream, followed a little later by the father duck, gliding just along the surface. Just before we went home, they returned, the ducklings scrabbling and waddling and hopping up the rocks to negotiate the little waterfall.
I remembered my long train trips to and from high school, when I would make myself really look at what I was seeing and describe it in my head, searching for exactly the right words.
I couldn't believe how quickly the time passed when I wasn't consciously trying to make it pass. The minutes and hours slipped by as effortlessly as the water of the creek. I listened to the breeze rustling the leaves and whispering in the grasses, and slowly the sun travelled across the sky, and then it was time to go home.
I wish you all a very Zen Christmas (if there is such a thing) and the happiest of New Years. See you in 2011.
17.12.10
School's Out For The Summer!*
It seems like only yesterday that Evie was crying because it was the first day of school, and this morning she was crying because it's her last day as a Prep. Ah me.
It's been an eventful year in our household. For the first time, both girls are going to school, which took more adjusting to (for me!) than I expected. We did our big renovation, which has transformed our house from a poky, cramped living-space to a glorious place to hang out. One of the best things we did was get a great big tank; it might not save us massive amounts of money, but oh! the smug is priceless.
The Western Bulldogs came fourth - beaten in the prelim again! - but we had a bad run with injuries, and with Bob Murphy at the helm (maybe??! nah, probably Boyd), 2011 will be our year. Fingers crossed.
I've kept up my record of a book a year (just) with Dear Swoosie coming out in January - the funnest book I've ever written, thanks to the divine Penelope (who also had a big year) - and definitely the fastest. Cicada Summer was short-listed for the PM's Literary Award, which was a huge thrill, and even better, I've had lots of wonderful feedback from readers who love it.
In same ways I've felt as if I was treading water this year, but it's not really true. Behind the scenes, a lot of work went into Crow Country, and I'm really excited about it being published next year, the most excited I've been about any of my books since The Singer Of All Songs. And Independence has also been chugging along quietly, slowly taking shape, being pruned and moulded and fertilised. Yesterday I had one of those eureka moments when a veil falls and suddenly a whole lot of things become clear...
... just in time for school holidays.
* Or at least it will be at 1.30pm today. Not that I'm counting the minutes or anything.
16.12.10
Queens of Shops
We watch too much television. One show that the whole family enjoys is Mary, Queen of Shops, one of a seemingly endless string of programmes where a bossy Englishwoman strides in and instructs people how to reorganise their lives (think Trinny and Susannah, Kirsty Allsop etc). In this case the bossy Englishwoman is called Mary Portas and we have all relished watching her cruel-to-be-kind efforts to revitalise sagging retail businesses.
It became obvious that Alice and Evie had been paying a little too much attention last weekend when they played shops at their grandparents' house. Alice set up a homewares business at the foot of the stairs, ransacking the kitchen cupboards for her stock of tea towels and lemon squeezers, produced a catalogue, and embarked on a marketing campaign that warned us to "Get in now, as prices are set to skyrocket!" A series of rapid calculations on the back of an envelope produced the reassuring information that she had made several hundred dollars in invisible profit.
Meanwhile Evie had set up her own business in the junk room and issued all of us, her employees, with phonetically spelled identity labels. I was "Kathren Cook", Nana became "Janes Canseltunt" while Papa was "Wellyum Inspekta." An emergency staff meeting was called to brainstorm ideas to improve turnover, which wasn't easy since none of us were exactly certain what the business actually did.
I learned that window-dressing is really not my forte, and that a freebie hotel soap can retail for up to twenty dollars. It was all very exhausting, but I must say it was educational.
13.12.10
Reading Aloud
There's a lot of reading aloud done in our house. Mostly it's me reading to the girls, though there should probably be rather more of it done the other way round. Listening is the main way that Alice, for reasons previously discussed, feeds her book addiction, and lately Evie has been asking for longer books too. They both like to be read to in the bath, for some reason... Currently I'm reading The Voyage of the Dawn Treader to Alice (she's finally getting into the Narnia books, after a couple of over-eager, too-early attempts on my part to introduce them), while Evie is listening to The Starlight Barking, the sequel to 101 Dalmatians (anything with dogs is good for Evie).
I've been reading to Alice since she was very small, a babe in arms in fact. Evie's aural concentration span is not as long, so she hasn't sat and listened to quite as many books as Alice has, but she does all right. I've been trying to work out exactly how much time I've spent reading aloud in the last few years. Say I started seriously when Alice was two and a half, so make it seven years -- let's say, conservatively, half an hour an day (often it's a lot more than that, but then there are days when we don't read at all, so I'm sure it evens out). 365 x 7 (forget the leap years!) = 2555, divided by 2 = 1,277 and a half hours of reading.
Crikey. A thousand hours. How about that, eh. I think I should get a medal.
The upside is that I feel pretty confident about my reading-aloud skills now. And I'm certainly no Stephen Fry, but I may modestly say that I too have read the entire series of Harry Potter aloud, and I even sometimes did the voices. And whatever criticisms one may wish to level at the Harry Potter books (not that I do wish to level any, actually) it cannot be denied that they are a brilliant read-aloud.
Another upside is that I love doing it. I enjoy reading aloud, I relish the joy of introducing the books I love to my children, and getting the immediate feedback of their reactions. I love the cries of 'Keep reading!' when I try to put the book down. And surely, after a thousand hours, my daughters will carry with them some memory of these precious times we spent together, sharing books. For all my failings as a parent, that's one gift I'm determined to give them.
9.12.10
Decking The Halls
The festive season has arrived at our house! (After a bit of a slow start)
Rex has his own Christmas tree:
The dolls' house is adorned with teeny-tiny paper chains (the product of hours of painstaking work by Alice and me, involving microscopic slivers of paper and sticky-tape):
There is even a Littlest Petsmas tree:
And some slightly bigger paper chains which will go up as soon as I have time to finish making them:
Aren't they pretty?
We've decided not to have a full size tree this year. There doesn't seem much point since we always stay at Nana and Papa's house and the presents go under their tree; also most of our ornaments aren't much chop. But I felt slightly sad about having no decorations at all, and what kind of message is that sending anyway - it's only the presents that matter?
Hoping to fit some carols in at some point, too. I love carols. Though you must know by now how I feel about any form of collective singing.
What's your favourite part of Christmas?
6.12.10
Aiming Low
The theory behind my pitiful target of 250 words at a stretch (and they don't have to be wonderful words, they can be, and often are, utter drivel) goes back to a book that became my Bible in my depressive mid-twenties. Feeling Good by David D. Burns (otherwise known in my circle as "The Yellow Book") was one of the early texts on cognitive behavioural therapy. Essentially, it argued that your thoughts can influence your feelings, and therefore can be to some extent consciously managed; this was a bit of a revelation to me and my depressively-inclined mates.
Anyway, one of the many useful pieces of advice that I gleaned from its pages concerned the paralysing effects of perfectionism. Better to aim very, very low, and achieve, than to aim high and fail. As anyone who has been depressed knows, there are times when any activity at all seems impossibly hard, even getting out of bed. Therefore, better to write one sentence and feel good about doing it than to tell yourself, I must write 10,000 words today - a target you will inevitably fail to meet, and then beat yourself up about.
The magic trick of this technique is that almost always, you find yourself exceeding your very low aim. You say, okay, I'll write one sentence -- but before you know it, one sentence has become two, a hundred words becomes 250, and then a page, and the shot of amazed pride you feel in your achievement surfs you onward almost without you noticing it. Once you get started, it is so much easier to keep going.
Doing anything, however small, is better than doing nothing.
3.12.10
Discipline, Discipline, Discipline
8.59am Drop the girls at school.
Eat breakfast while browsing the internet. Feed lizard.
Write 250 words.
Break for housework - make beds, stack dishwasher, hang out washing.
Write 250 words.
Cup of tea. Check out WOOF.
Write 250 words.
Walk to shops. Plan dinner.
Write 250 words.
Lunch break. Listen to radio. Read while eating. Check WOOF.
Write 250 words.
Think about doing yoga. Have cup of tea instead.
Write 250 words.
Feel virtuous for achieving writing target. Sit in window seat and read. Reading is necessary part of working day -- stoking fires of creativity etc. Almost as vital as checking WOOF.
3.25pm Leave house to pick up girls from school. End of writing day.
Beginning of next work shift - provision of after school snacks, homework supervision, dinner preparation, post-school counselling service, dinner clean-up, after-dinner walk, baths etc. Watch TV.
Talk to husband. If possible.
Bed.
30.11.10
Yoga Camp Part 2
So my dear friend Elizabeth and I went on our annual pilgrimage to yoga camp. This actually began with sitting in Friday night traffic on Bell St and snarling at the other drivers, "Move it, buster! We need to get to yoga camp!"
The experience continued with teeming rain, fallen trees and flooded roads, none of which inhibited our enjoyment. We didn't even find out what happened in the election until after we'd got home again, that's how cut off from the world we were. Bliss! Though I was so worried about missing early morning yoga that I leapt out of bed at the sound of Elizabeth's phone, flicked on the light and started getting dressed, until a sleepy Liz informed me (with admirable restraint) that it was actually only midnight...
This year, our course focused on meditation, which is something I know nothing about and feared I would be very bad at. During our 5.30am yoga class, the teacher told us that we should be still, and allow our breath to move through the physical body, without disturbing it; and suddenly I saw that in meditation, the thoughts should be allowed to move through the still mind in the same way, and suddenly it all made much more sense.
I think my favourite moment was when the whole class chimed ommmmm, the harmonies resonating, weaving in and out, and vibrating through us as if we were bells.
Om is the sound that created the universe, you know. In the beginning was the word, the breath of life, and the wind passed over the waters. And certainly all the dams were full. At the ashram, Swami Atma told us they'd been chanting for rain. She giggled. "Well, that worked!"
So my dear friend Elizabeth and I went on our annual pilgrimage to yoga camp. This actually began with sitting in Friday night traffic on Bell St and snarling at the other drivers, "Move it, buster! We need to get to yoga camp!"
The experience continued with teeming rain, fallen trees and flooded roads, none of which inhibited our enjoyment. We didn't even find out what happened in the election until after we'd got home again, that's how cut off from the world we were. Bliss! Though I was so worried about missing early morning yoga that I leapt out of bed at the sound of Elizabeth's phone, flicked on the light and started getting dressed, until a sleepy Liz informed me (with admirable restraint) that it was actually only midnight...
This year, our course focused on meditation, which is something I know nothing about and feared I would be very bad at. During our 5.30am yoga class, the teacher told us that we should be still, and allow our breath to move through the physical body, without disturbing it; and suddenly I saw that in meditation, the thoughts should be allowed to move through the still mind in the same way, and suddenly it all made much more sense.
I think my favourite moment was when the whole class chimed ommmmm, the harmonies resonating, weaving in and out, and vibrating through us as if we were bells.
Om is the sound that created the universe, you know. In the beginning was the word, the breath of life, and the wind passed over the waters. And certainly all the dams were full. At the ashram, Swami Atma told us they'd been chanting for rain. She giggled. "Well, that worked!"
26.11.10
Library Update
Alert readers may recall that this was supposed to be the year of the library. Well, it has been a long and at times frustrating journey, but there is light at the end of the tunnel at last.
It turns out that the "purpose-built" library space is not, after all, particularly well-suited to housing a library, and the school has decided to use that big open space in the middle of the new Learning Centre (as we must now call it) as a double classroom space next year. (This means there will be six classes in the new building. I really hope it's not too noisy in there.) The same space will also double as an assembly hall, with students' desks folded away through some miracle of modern furniture technology.
Meanwhile, the library has been allocated one of the upstairs classrooms in the old building. It might seem that this decision has merely brought us back to where we started, but personally, I'm not unhappy with the outcome. The classroom given to the library this time is actually nicer than the original one, on the eastern side of the building, so not quite so hot, and with a lovely outlook onto trees and roofs. The room is spacious, light, airy and beautifully proportioned. I'm happy that the library has a discrete space of its own, a proper room, rather than a few shelves floating uncertainly in an ocean of multi-purpose space.
We're hoping to do a whiz-bang job of redecoration to really make the library a distinctive and inviting place; we want to incorporate some of the school's neglected heritage items, like some beautiful indigenous artifacts currently languishing in a glass case in the bottom corridor, and a huge collection of shells and coral that my mother remembers being at the school in the 1940s. It would be nice to use some of the fantastic archival material that was dug up for the school's 80th birthday a couple of years ago, too.
So at the moment, I'm feeling quietly confident that we can pull it all together. The best news is that the school has committed to a full-time library staff member next year. I hope we can show that it's a great investment.
23.11.10
Oh Dear
Look what happened to my glasses! I copped a ball in the face while playing cricket with Alice and this was the result (this, and a bruise on the snoz).
In thirty-odd years of being a glasses-wearer, I've never actually broken a pair of specs before. Though in retrospect I should probably have attacked those big owlish eighties frames with a hammer.
I've had to resort to my old round wire-framed granny glasses, which make my face look strangely naked. I think I will need to invest in some new specs. The question is, what next? I borrowed some thin, pinky-purple, rectanglar frames from a friend, but they seemed too square or something. My face is too small to successfully carry off those really emphatic thick frames ("publisher glasses," ahem!). What's the next trend going to be?
Woe is me. I hate glasses shopping.
15.11.10
Forcing the Issue
When I went to prise Alice out of bed this morning, both girls were waiting for me, waving these tiny placards. "No school today! No school today!"
I made them go anyway.
Evie has decided that the only food she can bear to eat is Fruity Bites. Not the only breakfast food, the only FOOD. Michael claims to have thrived on an exclusive childhood diet of Coco Pops, so I suppose there is family precedent. As a picky eater, Evie gives Lola a run for her money. I hope it doesn't last forever, because it is very tedious trying to navigate through the ever-diminishing list of foods she will deign to consume. (For a gripping account of Evie's infected toenail, and the successful treatment thereof, please see her blog.)
On the bright side, last night Alice heaved herself off the couch and announced, 'I'm tired, I'm going to bed.' This has never, ever happened before. Of course, she didn't actually go to sleep until about an hour and a half later, after numerous trips out of bed for hugs and pleas for her doona to be straightened, but still, it's a step in the right direction.
As parents, we are not very good at discipline (to put it mildly), but sometimes things seem to work themselves out anyway.
10.11.10
The Chip On The Shoulder...
So, I was at the presentation of the Prime Minister's Literary Awards this week.
It was a lovely event (nice lunch too), opened by encouraging speeches from both the new Minister of the Arts, Simon Crean, and Prime Minister Julia Gillard herself, mentioning that this was the first time that Children's and Young Adult Literature had been recognised in these awards, and how appropriate this was, given the strength of Australian writing across all genres and ages. Then the awards themselves were presented: to Eva Hornung for Dog Boy, Fiction; Grace Karskens, The Colony, Non Fiction; Bill Condon, Confessions of A Liar, Thief and Failed Sex God, Young Adult; and Lorraine Marwood, Star Jumps, Children's Literature.
BUT (and this is where the chip comes in!) it was disappointing to note that some representatives of the media packed up and left after the two adult awards were presented; they didn't even stay to hear the winners of the YA and Children's categories.
And apparently a prominent national radio book show did discuss the adult award-winning books in some detail, but barely mentioned the fact that there had also been Children's and YA awards. Let alone name the winners. Let alone talk about them.
For heaven's sake. When will the snobs of the literary world come to their senses and realise that without young readers, there are no adult readers? That kids read more books than adults do? Don't they remember that they grew up on kids' books too, that the books they first fell in love with, the books that taught them to love reading, were kids' books? Or did they all start straight in on Jude The Obscure and The Brothers Karamazov?
Here endeth the rant.
4.11.10
Something About Trains - by Jane Siberry
One of my favourite songs. And it goes a little something like this...something about trains
something about love
something about this old earth
and the way it looks from up above
something about satellites
something about down below
something about the hissing of that old steam iron
as you press your clothes
beam it up, beam it down, across the world from town to town
most of the time when I'm walking the line, I'm looking at the ground
but every time I hear that whistle blowing
every time I hear that old black crow
every time I hear that whistle blowing
I find myself a-shivering in my soul
something about love
when things go wrong
when you can't find the one that you love
you keep movin' on
you walk the lonely valley
you walk the line alone
but this old earth is always there
you don't feel so alone
beam it up, beam it down, across the world from town to town
most of the time when I'm walking the line I'm looking at the ground
but every time I hear that whistle blowing...
but you wake up in the middle of the night
and a train whistle blows and a dog barks
and something's not quite right
and a cry is sent up from this earth
into the silent sky
beam it up, beam it down, across the world from town to town
most of the time when I'm walking the line I'm looking at the ground
but every time I hear that whistle blowing
every time I hear that old black crow
every time I hear that whistle blowing
I find myself a-shivering in my soul
something about trains
something about love
something about this old earth
and the way it looks tonight
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