King of Shadows
And it is. Nat Field, a young American actor brought over to London to play in the 'new' Globe theatre, wakes up one morning to find himself not just in Shakespeare's London, but part of Shakespeare's company. Cooper manages with a light touch to evoke the atmosphere of Elizabethan times and the bustling but much smaller city, and also weaves in Nat's emotional journey with a gently political plot.
It was a little disorienting to read yet another version of William Shakespeare, having recently re-read Antonia Forest's The Players and the Rebels, which covers much of the same ground and characters (the clown Will Kempe, distinguished actor Richard Burbage etc), and even watching the Doctor Who episode, The Shakespeare Code, filmed in the Globe itself. All these different versions of Will's world, overlapping, contradicting, reinforcing, much as the different iterations of Shakespeare's play echo down the centuries. But I can't help feeling that Will himself would approve.